Religia jako lekarstwo? Julii Kristevej spojrzenie na wartość religii chrześcijańskiej by Andrzej Duk

Subjects: “…Julia Kristeva…”
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Analysis of Intertextual Relationships of Allusions in Mirza Mohammad Seil Akhbāri’s Divan (Manuscripts) by Maryam Jalalvand, Zahra Ghoroghi, Gholamreza Davoodipour

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Addressing Process in L2 French Written Assessment by Sheri Dion

Subjects: “…julia kristeva…”
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“What is good for animals is good for men” : animalité et abject dans Found in the Ground de Howard Barker by Eléonore Obis

“…This article analyses the analogies between Howard Barker's theatre of Catastrophe and the abject as defined by Julia Kristeva in Powers of Horrors through the study of Found in the Ground, a play where there are many animals on the stage. …”
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‘The Dung-heap and the Flower’: Gissing’s Nether World by Nigel Messenger

“…Using the concept of ‘abjection’ as theorised by Julia Kristeva in Powers of Horror, the paper goes on to discuss some of the language, social settings and characters of The Nether World, and concludes by suggesting that Gissing’s novel anticipates some aspects of twentieth-century Modernism.…”
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La intertextualidad como recurso neobarroco en El hombre, la hembra y el hambre, de Daína Chaviano by Maritza M. Buendía, Lucía Ramírez-Vargas

“…Con base en los postulados de Severo Sarduy, Alejo Carpentier, José Lezama Lima, Omar Calabrese, Mijaíl Bajtín y Julia Kristeva, se analiza la intertextualidad como recurso neobarroco en la novela El hombre, la hembra y el hambre (1998), de la escritora cubana Daína Chaviano. …”
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Communication and ‘revolt’ by Bert Olivier

“…The psychoanalytical theorist and philosopher, Julia Kristeva, has however developed a notion of ‘revolt’ (and, related to it, of ‘revolution’) that goes far beyond the common understanding of the term. …”
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World Literature and Mythology: Guarantees of Freedom of Man and Nation in Sigitas Geda’s Poetry by Karolina Bagdonė

“… In this article, the author uses the theory of intertextuality (Julia Kristeva, Gérard Genette, Marco Juvan) to analyse reflections on the openness of cultural identity and Europeanness in Sigitas Geda’s (1943–2008) poetry and his commentaries. …”
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Ausweis, Exil, Flucht und Migration by Patrice Djoufack

“…Drawing on the story of the ancient protection-seeking Danaids, Julia Kristeva developed the conception that we are strangers to ourselves, whereby the stranger proves to be, uncannily, part of our own identity. …”
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« L’étrangeté vocalique » dans quelques nouvelles de Flannery O’Connor et de Barry Hannah by Claudia Desblaches

“…All these symptoms of the “vocalic uncanny” tend to show that any vocal change has a metaphorical impact, thus encouraging the reader to discover hidden meanings in sounds, graphical errors or “strange and alien occurrences”. Indeed, as Julia Kristeva argues in Le Langage, cet inconnu, there are “acoustic images” in both writers’ stories, which disturb representation and create a network of indeterminate referents. …”
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Hareketsiz İmgenin Tekinsiz ve İğrenç Doğası ile Karşılaşmak: Psikanalitik Bir Kavrayış ile Çoşkun Aral’ın Savaş Fotoğraflarına Bakmak by Melih Zafer Arıcan, Ferdi Candan

“…Bu çalışma, Sigmund Freud’un tekinsiz kavramını ve Julia Kristeva’nın iğrenç kavramını kullanarak savaş fotoğraflarının izleyicisi üzerindeki etkisini psikanalitik olarak analiz etmeye amaçlamaktır. …”
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¿Cómo ser sin límites? Análisis semiótico del cuento "Tina Reyes" de Amparo Dávila by Socorro García Bojórquez, María Edith Araoz Robles

“…Por medio del modelo semiótico propuesto por Julia Kristeva, y utilizando la categoría analítica de género, reflexionamos sobre cómo se configura la identidad y la subjetividad del personaje femenino Tina Reyes, inserto en una historia ficcional de mediados del siglo xx, bajo un sistema patriarcal. …”
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E. W. Godwin’s Month in Normandy: Travel Writing as Intertext by Richard W. Hayes

“…In order to assess Godwin’s travel account, I will make use of the concept of ‘intertextuality’ formulated in the twentieth century by the literary theorist Julia Kristeva (b. 1941). As Kristeva has posited, individual texts may be understood as participating in a matrix of relationships with previous texts. …”
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