JOHN KEATS AND THE ROMANTIC ELEMENTS IN HIS ODES by Yüksel USLU

“…JOHN KEATS AND THE ROMANTIC ELEMENTS IN HIS ODES…”
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Christian La Cassagnère. John Keats, Les Terres perdues (biographie) by Marc PORÉE

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“Piazza di Spagna, 26”, de Cecília Meireles by Delvanir Lopes

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Keats et de Kooning : Pour un romantisme expressionniste abstrait ou la mise en image de l’épitaphe by Caroline Bertonèche

“…The article explores the comparative dialectic between John Keats’s choice of a visual epitaph, theatrically staged as a fluid, evanescent metaphor of poetic identity in relation to Romantic writing, and Willem de Kooning’s late awareness and expressionist interpretation of it. …”
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“Facing the Monolith:” Virginia Woolf, Modernism and Impersonality by Paolo BUGLIANI

“…His reaction against the romantic stereotype of the hypertrophic self was not an entire novelty: the need for an eclipse of the authorial agency on the literary text had already been voiced by Gustave Flaubert, and, perhaps more paradoxically, by John Keats. Woolf’s position in this literary dispute is significant, since she rather openly refused to endorse Eliot’s authorial ostracism, proposing an alternative which followed the principle of “saturation,” implying a bulimic inclusion, rather than a careful selection.This paper shows that it was in her nonfiction that Woolf first articulated a critical reaction to impersonality, developing the concept of “presence,” which lies at the core of her essayistic ideal, in “The Modern Essay.” …”
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