James Joyce, Ulysse, Traduction et édition sous la direction de Jacques Aubert by Marie-Odile PITTIN-HEDON

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"Nightown", "Necropolis", "Jerusalem" : les figures de la ville dans Ulysses de James Joyce by Philippe Birgy

“…This paper proposes to inquire into the textual functions played by the city of Dublin in James Joyce's Ulysses. Leaving aside the questions of the town-like or maze-like structure of the text itself and the hieroglyphic tracery of the flâneur's path—for these aspects have already been amply documented by Joycean scholars—it concentrates on the communal dimension that underlies Joyce's writing and on the stylistic inscription of a democracy to come that reaches beyond nationalism and citizenship (the latter being comically presented as Bloom's celestial Jerusalem). …”
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Portrait de l’artiste en Shakespeare, Ulysses (15 : 3648-3873) by Monique Lojkine-Morelec

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Joyce, Rossetti, Dante. L’edizione “preraffaellita” della "Vita Nuova" nella biblioteca e nell’immaginario di James Joyce by Valentina Mele

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As Camp as a Row of Pink Tents: Stephen’s Portrait of Mr W. S. by Samuel Slote

Subjects: “…James Joyce…”
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The Uses and the Limits of the Short Story: The Function of Character Migration in Alice Munro’s Lives of Girls and Women by Jacob HOVIND

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“I’ll begin again in a jiffy”: récits cycliques dans la littérature anglophone by Côme Martin

Subjects: “…James Joyce…”
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Geo Bogza, poezia realului şi realitatea reportajului by Cristian Florin Popescu

“…As a journalist, he was supporter of the so-called “literature of experience”, characterizing the works of A. Malraux, A. Gide, James Joyce, Giovanni Papini. Bogza himself believed that an intense, fulfilling life can only be achieved through a journalist’s mentality. …”
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Les mots étrangers dans Dream of Fair to Middling Women (1932) de Samuel Beckett by Pascale Sardin

“…Greatly influenced by James Joyce and by the avant-garde of the times, the young Irish poet scattered his text with opaque terms, various intertexts and multilingual puns. …”
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Autism Spectrum Disorder and Amplified Pain by Ciaran Clarke

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L’écriture dans ses métamorphoses : potentialités et pertinence de l'artifice de langue by Michel Morel

“…The presentation defines five linguistic regimes related to five writers: John Lyly’s redundance, John Milton and the birth of poetic diction, Dylan Thomas’s canonical inventiveness, Gerald Manley Hopkins’s transgressive inventiveness and James Joyce’s neological cross-language overlap. It adumbrates a poetics of artifice in relation to the practices of Keats, Hopkins and Mallarmé, a poetics centred on the idea that linguistic exploration at its maximum and the hermeneutic extraction of the intrinsic significations can only meet and coincide in so far as language is inventive. …”
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Os livros e a vida na poesia de Dora Ferreira da Silva by Enivalda Nunes Freitas e Souza, Erick Gontijo Costa

“…A partir de un poema de Dora Ferreira da Silva que trata de su desinterés por la novela Ulises, de James Joyce, este artículo desarrolla una reflexión sobre el sentido humanizador del arte para la poeta paulista. …”
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“Dante… Bruno. Vico.. Joyce:” Samuel Beckett’s “identified contraries” by Julie BÉNARD

“…If Beckett’s critical writing praises one of the modernist champions, James Joyce, it also feeds on other arts, such as cinema and its relation to ideographic writing, as well as on more questionable sources such as the science of the occult. …”
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How to be Modern: The Darantière Press and Anglo-American Writers in France by Fiona McMahon

“…The collaboration between Sylvia Beach, James Joyce, and the Dijon printer Maurice Darantière that resulted in the first printing of Ulysses in 1922 was commemorated in a 1988 study by the modernist scholar Jean-Michel Rabaté: Maurice Darantière, les années vingt: bibliographie d’imprimeur. …”
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The quest for self in Italian secondary schools: Bridging literature and philosophy by Giacomo Romano

“…However, little attention is given to the philosophy of mind, even in the final year, while teachers of history and literature emphasise the dissolution of the self as a key theme for understanding 20th-century culture, often referencing authors like James Joyce, Marcel Proust, and Luigi Pirandello. The rejection of the self is perhaps presented as a cultural hallmark of the 20th century, yet it is frequently overlooked that, from both psychological and philosophical perspectives, this idea is not new. …”
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L’ascension de l’artiste dans The Mountain and the Valley (1952) d’Ernest Buckler by André Dodeman

“…With his first novel, The Mountain and the Valley (1952), Canadian writer Ernest Buckler chose to stay true to the longstanding tradition of the Künstlerroman, best illustrated by one of the greatest modernist writers of the twentieth century, James Joyce and his A Portrait of the Artist as a Young Man (1916). …”
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The Ascent of the Artist in Ernest Buckler’s The Mountain and the Valley (1952) by André Dodeman

“…With his first novel, The Mountain and the Valley (1952), Canadian writer Ernest Buckler chose to stay true to the longstanding tradition of the Künstlerroman, best illustrated by one of the greatest modernist writers of the twentieth century, James Joyce and his A Portrait of the Artist as a Young Man (1916). …”
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Victorian Arts and the Challenge of Modernity: Analogy, the Grid, and Chemical Transformations by Francesca Orestano

“…Among them T. S. Eliot, James Joyce, Virginia Woolf, Roger Fry, who variously responded to the drawings of Magdalenian artists, or to the art of Homer, while having recourse to modern science, chemistry especially, in order to explain literary phenomena. …”
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Des livres dans la tête : la bibliothèque imaginaire chez Bradbury, Canetti et Joyce by Tatjana Barazon

“…Enfin, c’est Ulysse de James Joyce qui constitue une véritable bibliothèque imaginaire par l’existence d’un seul livre dans la tête du lecteur. …”
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