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    Influence of large-scale atmospheric circulation and Mediterranean sea surface temperature to extreme land precipitation: the case of storm Alex by Laurent Terray, Margot Bador

    Published 2025-01-01
    “…Extreme (greater than 500 mm) amount of rain fell in southeastern France and northern Italy on 2nd and 3rd October 2020 during a ‘Mediterranean episode’ triggered by the powerful extratropical cyclone Alex. …”
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    Chondroitin Sulphate-Chitosan Based Nanogels Loaded with Naringenin-β-Cyclodextrin Complex as Potential Tool for the Treatment of Diabetic Retinopathy: A Formulation Study by Zucca G, Vigani B, Valentino C, Ruggeri M, Marchesi N, Pascale A, Giovilli G, Malavasi L, Sandri G, Rossi S

    Published 2025-01-01
    “…Gaia Zucca,1 Barbara Vigani,1 Caterina Valentino,1 Marco Ruggeri,1 Nicoletta Marchesi,1 Alessia Pascale,1 Giulia Giovilli,2 Lorenzo Malavasi,2 Giuseppina Sandri,1 Silvia Rossi1 1Department of Drug Sciences, University of Pavia, Pavia, 27100, Italy; 2Department of Chemistry and INSTM, University of Pavia, Pavia, 27100, ItalyCorrespondence: Silvia Rossi; Barbara Vigani, Department of Drug Sciences, University of Pavia, Via Taramelli 12, Pavia, 27100, Italy, Email silvia.rossi@unipv.it; barbara.vigani@unipv.itPurpose: The main purpose of the study was the formulation development of nanogels (NHs) composed of chondroitin sulfate (CS) and low molecular weight chitosan (lCH), loaded with a naringenin-β-cyclodextrin complex (NAR/β-CD), as a potential treatment for early-stage diabetic retinopathy.Methods: Different formulations of NHs were prepared by varying polymer concentration, lCH ratio, and pH and, then, characterized for particle size, zeta potential, particle concentration (particles/mL) and morphology. …”
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    The Beholder’s Hurt Feeling by Claudia Keller

    Published 2012-04-01
    “…On the basis of Johann Heinrich Meyer’s and Johann Wolfgang Goethe’s experiences with modern restoration in Italy it is shown how a critique of previous restorations leads to a new sensibility in dealing with artworks and as a consequence to an aesthetic of the fragment.…”
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