Introduction by Gilles Couderc

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Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet by Rodolphe Solbiac

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Biblical Intertextuality in Ferran de Pol by Josep V. Garcia Raffi, Xavier Garcia Raffi

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Le Miroir de Renart. Pour une redécouverte de « Renart le Contrefait » by Corinne Pierreville

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Polariser l'écart : la mise en scène du décalage dans Fram de Tony Harrison by Catherine Lanone

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In and Out of the Frame: The Construction of Meaning in Henry Peacham’s Minerva Britanna (1612) by Cezara Bobeica

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Geôle, enjôler, enjoliver : surveiller et (p)unir dans Lolita by René Alladaye

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Portrait de l’artiste en Shakespeare, Ulysses (15 : 3648-3873) by Monique Lojkine-Morelec

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Proust’s Ruskin: From Illustration to Illumination by Emily Eells

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On the Possibility and Plurality of Worlds: from The Strange Case of Dr Jekyll and Mr Hyde to Le Crime étrange de Mr Hyde by Jean-Pierre Naugrette

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“Dame tu fuerza, Pegaso”: cultura televisiva, música africana, copia e intertextualidad en el género de la champeta criolla by Andrés Gualdrón Ramírez

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Trauma Ties in Paul Auster’s Invention of Solitude by Houaria Righi

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Cadrage, décadrage et recadrage dans Baa Baa Black Sheep : A Jungle Tale de David Malouf et Michael Berkeley by Jean-Philippe Heberlé

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Motyw nadziei w twórczości Igora Talkowa by Aleksandra Ancerowicz

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Shakespeare revived in contemporary canadian drama by Rüdiger Ahrens

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„Вторая” жизнь советских комедий в интернет-мемах периода пандемии by Gabriela Wilk

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Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles by Louis-Patrick Bergot

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Style and Influence: Computing Hebrews and the Early Christian Stylistic Fingerprint by Erich Benjamin Pracht, Thomas McCauley

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Graham Greene’s Journey Without Maps and the Fascination of the Abomination by John AIREY

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Transactions en eaux troubles : résurgences de la voix shakespearienne dans Moby-Dick by Ronan Ludot-Vlasak

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