An ‘extraordinary change’ in the Climate: The Transformative Power of Impressionism in George Moore’s Art Criticism by Fabienne Gaspari

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Se souvenir du tribun et de l’apôtre. John Ruskin par son traducteur Émile Cammaerts (1878-1953) by Julie Lageyre

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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

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Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902) by Claire Hendren

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Harmonisches Hören im Stilbereich Impressionismus by Liselotte Kunkel

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Bloomsbury and the Cinema: Practice and Theory of a New Form of Expression by Floriane Reviron

“…Just as Bloomsbury introduced post-impressionism in Great Britain, the cinema was beginning to emerge as a new art, introducing new visual vocabularies and perceptions. …”
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Bloomsbury or the Art of Disinterestedness by Catherine Bernard

“…However it is their contradictions that may in fact prove most fruitful if one wants to understand the impact of Post-impressionism in Britain.…”
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« I am content with tentativeness from day to day » : Thomas Hardy et le parti pris poétique du tâtonnement by Laurence Estanove

“…This constitutes a very personal form of literary impressionism which bears testimony to the modernity of Hardy’s writing, though outside the realm of modernism per se.…”
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La pintura francesa en los primeros años de La Ilustración Española y Americana (1870-1880) by Lola Bermúdez Medina

“…In keeping with the journal’s overall orientation, the approach to French painting is politically conservative, so much so that during this period no mention is made of burgeoning Impressionism.…”
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A crítica pós-moderna: analítica da interação e da sociabilidade by Carlos A. Gadea

“…When the post-modern critique reformulates issues of sociability and political and cultural behavior and resorts to an analytical framework in which concepts such as plurality, multiplicity, fragmentation and relativism gain importance, it is doing nothing else than reintroducing a theoretical legacy and a sociological adventure that arise, for instance, from the sociological impressionism of Simmel, the pragmatism of William James and psychosocial studies of Georg H. …”
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« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man by Fabienne Gaspari

“…In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose. The discovery of Impressionism, of Naturalism and of the Decadent movement constitutes an original moment in Moore’s artistic experience in Paris, a time of learning and initiation amidst the French avant-garde. …”
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Les quatre éléments dans « Karain » de Joseph Conrad : du mythe au manque by Catherine Delmas

“…The four elements first highlight the motif of human illusions and contribute to the symbolic function of the East ; they also serve a literary topos by enhancing the tragic muthos which is then immediately deconstucted ; the orientalist mode of representation is also called into question by impressionism, conveyed by fragmentation and the relativity of the point of view. …”
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Future Studies of Kurdistan Province Development: Issues and Challenges by Farnaz Izadi, Atefeh Ahmadi, Farzin Charehjoo

“…The results of the research in assessing the extent and the way of influencing of issues and challenges on each other and on the future status of development in Kurdistan province, respectively in the direct and indirect  effectiveness and impressionability, indicates that water crisis, poverty, lack of development of industry, unbalanced tourism and animal husbandry, environmental degradation and lack of access to health services, unemployment, and improper management of water facilities play a major role in the future of development in Kurdistan province…”
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