Alexandra Velissariou, Aspects dramatiques et écriture de l’oralité dans les Cent Nouvelles Nouvelles by Estelle Doudet

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“O’er-dyed blacks” (1.2.131) : les couleurs dans Le Conte d’hiver by Sophie Chiari

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La definición gráfica de la prensa española del siglo XIX: caricatura y análisis visual by Rebeca Viguera Ruiz

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A Critique on the Book "The Meaning of Icons" by Nahid Abdi

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Maud Pérez-Simon, Mise en roman et mise en image. Les manuscrits du Roman d’Alexandre en prose by Christine Ferlampin-Acher

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Escritura publicitaria en el tránsito entre el medievo y la modernidad by Alejandro García Morilla

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Noire géline pond blanc œuf ou Poules et poulaillers médiévaux by Perrine Mane

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L’iconographie de la croix sur les sarcophages du haut Moyen Âge en Gaule by Anne Flammin

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The Asymmetry of Text and Image in Byzantium by Henry Maguire

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A imagem como instrumento de identidade – A figuração de São Jerónimo no manuscrito Bíblico ANTT, Lorvão 45 by Inês Correia

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Babuinare by Joana Antunes

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The Pontic Greeks, from Pontus to the Caucasus, Greece and the diaspora by Michel Bruneau

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Luxúria e iconografia na escultura românica portuguesa by Joaquim Luís Costa

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Les images des villes brésiliennes dans les manuels scolaires de France et du Brésil : entre mythes et réalités by Leonardo Moreira Ulhôa

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Michelle Szkilnik, La vie posthume du Jouvencel. Réceptions d’un livre sur la guerre (xve-xxie siècle) by Christine Ferlampin-Acher

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La conquête de Mexico-Tenochtitlan dans le Codex Vaticanus A by Patrick Johansson K.

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Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century" by Malina Belcheva

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Programas ideológicos a través de la imagem: algunos ejemplos de la Edad Media by Marta Serrano Coll

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Dramatic transfers: Mural painting and religious theatre in the Western Alps during the sixteenth century by Marianne Cailloux

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A canadian response to the iconography of war propaganda in the British Empire: Nellie McClung’s Politeia Pax Feminina by Karin Ikas

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