Electro-acoustic control of radiation impedance for brass instrument timbre shaping: design of a vocalizing mute by Martos Vincent, Boutin Henri, Hélie Thomas, d’Andréa-Novel Brigitte

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Designing Emotional and Intuitive Sounds for Tech: Insights From Psychoacoustics by Anjali Bhatara, Xavier Dartis, David Morizet, Sébastien Romagny

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Unravelling hidden hearing loss by Emmanuel Ponsot

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Voice synthesis using power-balanced simulation of a quasi-1D model of the vocal apparatus by Thomas Risse, Thomas Hélie, Fabrice Silva

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“My responsibility is to be bold” by Igor Contreras Zubillaga, Annelies Fryberger

“…In this interview, Georgina Born retraces the origins of two of her major ethnographic studies, at Ircam and the BBC, and delves into how she developed her specific, interdisciplinary methodology. …”
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Organiser l’invention technologique et artistique ? by Nicolas Donin, Samuel Goldszmidt, Jacques Theureau

“…A method of collective activity data collection and analysis was tested by following a particular design process, both technological and artistic, developed over the course of two years at IRCAM – the design of an “Augmented quartet” by a group which included a researcher/developer, a composer, a computer music designer, a string quartet and other participants. …”
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Timbre Space: On the Flat History of a Multidimensional Metaphor by Landon Morrison

“…Mapping connections between psychoacoustic discourses and design practices, the article sheds light on the technoscientific origins of timbre space, examining its articulation to research labs at Bell, CCRMA, and IRCAM, and interrogating its role in determining what counts as sound knowledge.…”
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Non-uniform temporal weighting of intensity in audition and vision: The signature of an evidence integration process? by Oberfeld Daniel, Fischenich Alexander, Ponsot Emmanuel

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