Hibridismo no mercado da música e a articulação das identidades by Michel Nicolau Netto

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"The Truth lies in Black and White." The Language of Truth and the Search for Coloured Identity in Zoe Wicomb’s David’s Story by Fiona Mc Cann

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Spectral Telepathy: the Late Style of Susan Howe by Marjorie Perloff

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Las músicas amerindias del Chaco argentino entre la hibridación y la exotización by Silvia Citro, Soledad Torres Agüero

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THE RECLAIMING CUBAN CULTURAL IDENTITY WHILE LIVING AS A CUBAN DIASPORA IN AMERICA AS DEPICTED IN CAMILA CABELLO “HAVANA” by Tan Michael Chandra

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Des corps « monstres ». Historique du stigmate féministe by Caroline Fayolle

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Shelley Jacksons’s Gender Politics in Patchwork Girl (1995): a Cyborg Approach by Anne-Laure Fortin-Tournès

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Matriarchal Exemplarity in Elizabeth Isham’s Booke of Rememberance by Emma Rayner

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Linearity as Metadiscourse in Murray Bail’s Fiction by Marie Herbillon

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Sakha Music: Selling 'Exotic' Europeanness in Asia and Asianness in Europe by Aimar Ventsel

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L’Italie au miroir : bilinguisme et auto-traduction dans la poésie de Christina Rossetti by Mélody Enjoubault

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Apocalypse and Sensibility: The Role of Sympathy in Jeff Lemire’s Sweet Tooth by André Cabral de Almeida Cardoso

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The Island in R. L. Stevenson’s The Beach of Falesá: Confluence(s) as Subversion by Julie Gay

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Territoires méridionaux et îles australes : laboratoires du masculin dans les premiers romans d’aventures pour garçons victoriennes by Valentine Prévot

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The Music and (dis)harmony of (anti)utopia in Samuel Butler’s Erewhon by Françoise Dupeyron-Lafay

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In, Out, and Beyond: Dislocation, Contamination and the Redemptive Power of Womanhood in California, In-doors and Out by Eliza W. Farnham, 1856 by Claire Sorin

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Decolonizing perspectives and decolonial pluriversality in management praxis & research: introduction to the special issue by MICHELLE MIELLY, GAZI ISLAM, ANA MARIA PEREDO, PENELOPE MUZANENHAMO, HÉLIO ARTHUR REIS IRIGARAY, SANDISO BAZANA

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Genera Mixta in Herbert George Wells’s Industrial Romance ‘The Cone’ (1895): Realism, the Uncanny Fantastic, the Industrial Sublime and the Tragic by Françoise Dupeyron-Lafay

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"arms wide open": Hope and the Trans-Global Nuclear Family in Yamashita’s Tropic of Orange by Brady Harrison

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Revue de l’exposition The Color Line – Les artistes africains-américains et la ségrégation (1865-2016) by Églantine Morvant

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