Influence de la fiction policière américaine chez trois auteurs de fantasie britannique (Green - Pratchett - Scott) by Catherine Magalhaes

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‘Ring the Bells’: Sound and Silence in Garth Nix’s Old Kingdom by Sean Williams

“…This loose series of texts, with its bellringing protagonists, is the prime contributor to his reputation as an author of high fantasy fiction, although he is also marketed as and known for writing science fiction and other related subgenres. …”
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Otwarty świat i narracja rozproszona w grze Elden Ring studia FromSoftware by Krzysztof M. Maj

“…One is to create a high fantasy narrative in allotopia, whilst the other is to sustain the principles of procedural rhetoric typical for soulsborne games, well-known for leaning towards a dark fantasy design style both in terms of their aesthetics and narrative content. …”
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Les récits britanniques pour la jeunesse dans l’entre-deux-guerres : entre nostalgie et modernité, littérarité et production de masse by Virginie Douglas

“…This attempt to recapture the golden age of British children's literature manifested in both the style of domestic fantasy close a child’s everyday world, (Winnie the Pooh, Mary Poppins) and in high fantasy, which had been uncommon until then, with young Tolkien’s The Hobbit (1937) written for children, unlike its sequel, The Lord of the Rings trilogy.At the same time, economic restrictions in the postwar period and a prevailing austerity encouraged children's books to enter an era of mass production. …”
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Itinerarios híbridos para lectores modernos. Un enfoque transmediático para textos de fantasía épica / Hybrid itineraries for modern readers. A transmedia approach to epic fantasy... by Isabel Jerez Martínez, Eduardo Encabo Fernández

“…In conclusion, the need to connect reading with sensory atmospheres that transcend people is observed; likewise, the need to analyse what the user expects from the narratives that are presented to him/her; and the need to carry out a journey through the present day and tradition of epic fantasy or high fantasy, which allows us to verify archetypes or novelties in the architecture of such texts and whether digital evolution really affects their story design. …”
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“The Road of War” and “The Path of Peace”: William Morris’s Representation of Violence by Eleonora Sasso

“…Morris’s early romances and the high fantasies develop their own detailed blueprint of wars and battles which reveal to be a broad philosophical meditation on the entire mediaeval vision of man’s aggressive attitude. …”
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