« Queer », « transpédégouine », « torduEs », entre adaptation et réappropriation, les dynamiques de traduction au cœur des créations langagières de l’activisme féministe queer... by Marie-Émilie Lorenzi

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Mutation sexuelle, mutation de langage by Alexandre Taalba

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Institution familiale et injonction à l’hétérosexualité à Dakar by Nicolas Faynot

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The Haunted World of El Superbeasto (Rob Zombie, 2009): An Animated Exploitation of Exploitation Cinema by Pierre Floquet

“…Beyond wrestling, it slashes through several sub-genres, including Nazisploitation, bikerfilms, sexploitation and more, making it a carnivalesque ride. …”
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Producing the Popular: John Monk Foster and the ‘Industrial Romance’ by Michael Sanders

“…Next, it argues that the narrative structure of A Pit-Brow Lassie displays an uneven and, at times, uneasy combination of elements derived from a variety of genres, as well as demonstrating many features of the folk tale. …”
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Where be dragons? by Miguel Andrade

“…It will focus on “legendary sagas” and "chivalric sagas" due to prevalence of the material, but also include episodes from "sagas of Icelanders", "kings’ sagas" and other texts adjacent to those genres.…”
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How the Internet is Transforming the Bombay Poetry Scene by Manon Boukhroufa-Trijaud

“…The city’s literary tradition of poetry circles and collaborative writing smoothly moved online, further mixing genres as well as disciplines. One interesting example is Poetrywala, a poetry publishing company based in Mumbai that recently opened an online bookshop for its growing catalogue. …”
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Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010) by Françoise Sammarcelli

“…It then argues that Point Omega can be read as a complex theoretical essay, blurring the boundaries between genres, notably by establishing a dialogue with Gordon and Jesuit philosopher Teilhard de Chardin, while problematizing academic discourse. …”
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Code switching and the so-called “assimilation narrative” by Tamás Vraukó

“…In the paper examples are provided from Hispanic-American literature (Mexican-American, Puerto Rican and Dominican), across a range of genres from prose through drama to poetry, and also, examples are discussed when the author does in fact seek assimilation, as well as stories in which neither assimilation, nor integration is successful. …”
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How Color Properties Can Be Used to Elicit Emotions in Video Games by Erik Geslin, Laurent Jégou, Danny Beaudoin

“…Classifying the many types of video games is difficult, as their genres and supports are different, but they all have in common that they seek the commitment of the player through exciting emotions and challenges. …”
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Pekić's paradoxology and Serbian identity by Stanojević Dobrivoje Ž.

“…This Serbian writer permeates and nuances shorter genres in the light of paradoxes and NEO-aphoristic microstructural units with a distinct polemic approach and a humorous charge that help a more complete understanding of the hero's Serbian identity. …”
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Being ‘excluded from the world of sound’: Deafness, Invalidism and Resilience in Harriet Martineau’s Writings (1834–1855) by Manuela D’Amore

“…Detailed information about her memories of the ‘world of sound’—also the impact that deafness had on her life—can be found in her hybrid prose. Blending different genres and text forms, Letter to the Deaf (1834), the journal article ‘Deaf Mutes’ (1854) and her two-volume Autobiography (1855–1877) are clear on her determination to use her most painful experiences to promote social change. …”
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Yoruba Culture in a Changing World by Arinpe G. Adejumo

“…Data for the study drawn from Yorùbá cultural heritage, literary works, home video, films and oral genres. The data were subjected to content and interpretive analysis. …”
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De l’Esthétisation à l’anti-symbolisme : les évolutions du corps chez William Carlos Williams by Samantha Lemeunier

“…This subversion of physical canons marks the singularity of the williamsian style while contaminating the textual body as the poet notably reworks various poetic genres such as the sonnet. Nevertheless, at the end of the 1930s, the body is re-naturalized as Williams witnesses the physical degradation of his dying mother; he thus represents the vulnerability of the body in his poems, the textual body freezing in time the fleeting evolutions of the physical body. …”
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“ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN by Stela GUŢANU

“…The changes occurred in the contemporary music creation have contributed to the emergence of new complex genres that actually reach all the structural levels of compositional art, so far, as well as of arts, in general. …”
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EUROPEAN PLASTIC ART IN ANTHROPOLOGICAL DIMENSION: FROM THE CLASSICS TO THE POSTMODERNISM by R. M. Rusin, I. V. Liashenko

“…Postmodern experiments stimulate blurring the borders between the traditional forms and genres of art. Review of canonical ideas about the creation and destruction, order and chaos in art illustrates conscious reorientation from the classical understanding of artistic creativity to the construction of artifacts-simulacra, which is a characteristic feature in the oeuvre of contemporary artists, ranging from the pop art to the present day. …”
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On the History of Creation of the Atlas of Tibetan Medicine (17th century): source aspects by Yumzhana Zh. Zhabon

“…The first group includes illustrations borrowed from previously existing texts of the genres of dondem (sdong ‘grems ‘unfolded tree’), rodra (ro bkra, yul thig ‘anatomy’), and dungpe (‘khrungs dpe ‘Materia medica’). …”
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« On est encore en vie, à la grande surprise de tout le monde… » L’expérience des personnes âgées trans vivant avec une démence dans une société âgiste, cisgenriste et cogniticiste... by Alexandre Baril, Marjorie Silverman

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Société de l’aveu, cis-tème de l’aveu : repenser le consentement à la lumière des images intimes de personnes trans* dans les medias by Alexandre Baril

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Measuring the Correctness of Double-Keying: Error Classification and Quality Control in a Large Corpus of TEI-Annotated Historical Text by Susanne Haaf, Frank Wiegand, Alexander Geyken

“…These advertised percentages are generally estimated on the basis of small samples, and little if anything is said about either the actual amount of text or the text genres which have been proofread, about error types, proofreaders, etc. …”
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