The role of gaze in meaning negotiation episodes in video synchronous computer-mediated interactions by Li Chenxi

Subjects: “…gaze…”
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Masques et mascarades dans Romola par George Eliot : la traversée des apparences by Stéphanie Richet

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The Closer, The Harder? Investigating the use of peripheral vision in 3vs3 counter-attack VR situations in football by Božo Vukojević, Svitlana Pinchuk, Christian Vater

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Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010) by Françoise Sammarcelli

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Dissections in Phoebe Gloeckner’s A Child’s Life (1998, 2000) by Hélène Tison

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Seeing Margaret Mitchell’s Gone With the Wind with Fresh Eyes by Emmeline Gros

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Exploring horses’ (Equus caballus) gaze and asymmetric ear position in relation to human attentional cues by Gabriela Barrera, Anna Albiach-Serrano, Federico Guillén-Salazar

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Introduction by Monica Michlin, Françoise Sammarcelli

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Oculomotor Plant Mathematical Model in Kalman Filter Form With Peak Velocity-Based Neural Pulse for Continuous Gaze Prediction by Dmytro Katrychuk, Dillon J. Lohr, Oleg V. Komogortsev

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Mobile stance-taking in nature: an exploration of gaze patterns during assessments of objects in nature by Barbara Laner

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Lulu Filterized Lin’s correlative Theil-Sen regression-based fully connected deep multilayer perceptive neural network for eye gaze pattern recognition by Rathi K., Srinivasan K.

Subjects: “…gaze estimation…”
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Evidence for the communicative function of human-directed gazing in 6- to 7-week-old dog puppies by Stefanie Riemer, Alina Bonorand, Lisa Stolzlechner

Subjects: “…Gaze alternation…”
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GAZE DIRECTION MONITORING MODEL IN COMPUTER SYSTEM FOR ACADEMIC PERFORMANCE ASSESSMENT by Olesia Barkovska, Yaroslav Liapin, Tetiana Muzyka, Ihor Ryndyk, Pavlo Botnar

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Gaze Assistance for Efficient Segmentation Correction of Medical Images by Leila Khaertdinova, Tatyana Shmykova, Ilya Pershin, Andrey Laryukov, Albert Khanov, Damir Zidikhanov, Bulat Ibragimov

Subjects: “…Eye gaze…”
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Global hip-hop culture and the scopophilic spectacle of women in South African hip-hop music videos by Ntebaleng Mpetsi, Toks Oyedemi

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