A Dinner Engagement (1954) de Lennox Berkeley : un opéra-bouffe anachronique ? by Jean-Philippe Heberlé

“…Musically speaking, the opera of the British composer is closer to some operas by Britten, Menotti and Poulenc than to works by Berg, Schoenberg and the composers of the European avant-garde of the 1960s. The musical tensions between vernacular and extra-vernacular elements foreground the difficulty of defining what an English opera is, most particularly at a time when Benjamin Britten tried to renew English opera.…”
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Role of polymers in encapsulation and shape-stabilization of phase change materials (PCMs) for thermal energy storage applications: an overview by Surya Tanwar, Raminder Kaur

“…This review emphasizes the current research status of the polymer-based PCMs developed using the various PCMs–polymer combinations available, material characteristics, encapsulation, and shape-stabilization methods and provides detailed information on the contribution of polymers toward the enhancement of PCM end-product properties, in an avant-garde technology related to TES.…”
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Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…“Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology” explores the representations of bodies in a corpus of plays by New York artists from the “New American Avant-Garde.” Intermediality, or the co-presence or superimposition of different artistic media, creates dual bodies: technological monsters that are half-human and half-video, grotesque minotaurs at once men and puppets. …”
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İbretnüma (2009) in the context of shadow play representation language with a feminist approach by Berceste Gülçin Özdemir, Nilay Ulusoy

“…By subverting patriarchal ideologies and the non-verbal restrictions imposed on women during Turkey’s modernization process, the work synthesizes avant-garde and feminist approaches in its representation techniques, blending traditional and contemporary art forms. …”
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Après la révolution : les éditeurs lilliputiens polonais et leur offre dans les années 2016–2020 by Natalia Paprocka, Katarzyna Biernacka-Licznar

“…In the years 2000–2015, sixteen publishers, called the “Lilliputians”, revolutionised the Polish children’s book market by offering innovative works by avant-garde authors and illustrators. Translations, which represented more than two-thirds of their offer, played a crucial role in this process. …”
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Le lieutenant Camille Pierre, un passeur des innovations criminalistiques policières dans les pratiques judiciaires des gendarmes à la Belle Époque by Laurent LÓPEZ

“…Moreover, this process was, unlike any other, taught to the various components of the French police, namely the Paris headquarters police officers, the Sûreté générale officers as well as to the gendarmes and gardes républicains (the Republican Guard). This identification process was enforced in various ways within each institution with unequal results. …”
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Defect groups of class S $$ \mathcal{S} $$ theories from the Coulomb branch by Elias Riedel Gårding

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Changements d’horizon : Circa, une aventure éditoriale traversant les frontières by Valérie Morisson

“…It has also fostered a vital interest in the international avant-garde which geared artists towards a better understanding of their role in society and a greater awareness of artistic experimentation. …”
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« Culture for the million, or society as it may be » by Françoise Baillet

“…The purpose of this paper is to examine the role and function of the graphic arts in the Victorians’ familiarity with avant-garde theories. At a time when the demands of an enlarged readership triggered a remarkable development of periodical literature, the illustrated press was partly responsible for the circulation of the very ideals it meant to ridicule. …”
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Kay Boyle et la revue transition (1927-1938) : « A new meaning to my life » by Céline MANSANTI

“…However, from 1932 on, Boyle had but one text published in transition, mainly because of her involvement in a new politically-committed avant-garde, remote from transition’s concerns.…”
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Remote Control: Censoring Diasporic Identities in Atom Egoyan’s Films by Jean-François Baillon

“…In the end, the cinematic apparatus itself is confronted with its own mirror image in a global context in which contending for the right to define boundaries is no longer a binary conflict opposing enlightened avant-garde directors and backward state censorship.…”
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Geo Bogza – lecţia de libertate şi poetica exasperării by Loredana Opăriuc

“…Geo Bogza is one of the well-known representatives of the Romanian avant-garde and one of the unavoidable names during the second half of the 20th century, covering different types of literary languages. …”
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Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain by Edward Alexander

“…I examine the postwar avant-garde as a cultural formation in which Duncan’s serial open-form compositions and Cagean event-based work constitute branches of a single sensibility whose root can be intimated in the watchword “theatre” that haunts this period’s work.…”
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Optimising artificial intelligence ultrasound tools in anaesthesiology and perioperative medicine: The next frontier for advanced technology application by Anastasia Jones, Ryan Tang, Anahita Dabo-Trubelja, Cindy B. Yeoh, Leshawn Richards, Vijaya Gottumukkala

“…Artificial intelligence (AI) was once considered avant-garde. However, AI permeates every industry today, impacting work and home lives in many ways. …”
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Szkoły typu Open-Air: eksperymenty architektoniczno-pedagogiczne szkolnictwa w pierwszych dziesięcioleciach XX wieku by Cezary Szpytma

“…Open-Air schools of the early twentieth century seem to be still an avant-garde and a model, which should be rediscovered. …”
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“She who would refine the fabric:” Contexts for Reading the Embroidering and Writing of Florence Farr and Una Taylor by Jane SPIRIT

“…Both Florence Farr and Una Taylor were Arts and Crafts embroiderers and writers whose work was published in John Lane’s avant-garde “Keynotes” series in the eighteen nineties. …”
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Une exposition à l’échelle de la ville by Laurence Brogniez, Tatiana Debroux

“…By adopting a spatial perspective based on an inventory of residential addresses of artists and art lovers, and the different types of places where they met inside and outside Brussels, we tried to identify and define the spaces of sociability of an artistic avant-garde that is nowadays well studied aesthetically, but rarely from a geographical point of view. …”
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« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man by Fabienne Gaspari

“…The discovery of Impressionism, of Naturalism and of the Decadent movement constitutes an original moment in Moore’s artistic experience in Paris, a time of learning and initiation amidst the French avant-garde. The autobiographical persona plays with rhetorical positions and intertextual references, both integrating and imitating literary influences and going beyond them through parody. …”
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From Incoherence to Sustainability: Performance, Activism, and Social Media in the Most Recent Russian Poetry by Kirill Korchagin

“…The type of performance in question, which originally implied active absorption in the poetic text, occupied an important place in Russian art of the twentieth century – from the first experiments of the historical avant-garde to Moscow Conceptualism (above all, in the their “Collective Actions”). …”
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La « science-fiction bouffe » de Maïakovski. Autour de Mystère-Bouffe, La Punaise, Les Bains et de leur réception par le metteur en scène Antoine Vitez by Flore Garcin-Marrou

“…The literary production of Mayakovsky, a figure of Russian avant-garde literature, is abundant and diverse. We know more about his poems or his involvement in Futurism than his four plays: Vladimir Mayakovsky (1913), Mystère- Bouffe (1918; 1921), The Bedbug (1929), The Bathhouse (1930). …”
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