Une nouvelle approche du Morte d’Arthur de Malory au XXe siècle : la réécriture musicale de Lerner et Loewe by Justine Breton

“…However, it is necessary to take into account in its diffusion the vast and often neglected influence of the Broadway musical Camelot (1960), by Alan Jay Lerner and Frederick Loewe. This musical is based on Thomas Malory’s Le Morte d’Arthur, and on Terence Hanbury White’s famous rewriting of the medieval text, The Once and Future King. …”
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