Formalism in Architecture and its Relation with the Concept of Form by Mona Bolouri Bazzaz, Alireza Mostaghni

Subjects: “…: formalism…”
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Stroh–Hamiltonian Framework for Modeling Incompressible Poroelastic Materials by Kinza Arshad, Vincenzo Tibullo

Subjects: “…Stroh formalism…”
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Line Defects in One-Dimensional Hexagonal Quasicrystals by Markus Lazar

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Line Defects in Quasicrystals by Markus Lazar

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Formalism of School Knowledge from the Standpoint of the Activity Approach in Psychology: Research Prospects by Anastasia N. Sidneva

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101 anni di straniamento. Appunti per una partita a scacchi. Nota della curatrice by Martina Morabito

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Author-coined terminology in Russian verse theory: the formalist legacy by Igor A. Pilshchikov

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A Critical Analysis of “A Short Guide to Writing about Film” by ali sheikhmehdi, Arsalan Moghadas

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« Our patience proven in the rage of others » : l’inscription de la tolérance dans les sonnets de Geoffrey Hill by Carole Birkan-Berz

Subjects: “…formalism…”
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Singular Predication and the Syllogism by Arman Besler

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O formalista expiatório: leituras impuras de Kelsen no Brasil by Fernando Leal

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Dalitz-plot decomposition for the e+e−→J/ψππ(KK¯) and e+e− → hc π π processes by Viktoriia Ermolina, Igor Danilkin, Marc Vanderhaeghen

Subjects: “…Helicity formalism…”
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The Uncanniness of Form by Boris Lazic

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Hegel’s Ethical View in the Light of his Criticisms of Kant’s Ethical View by hasan ahmadizade

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Aux origines du « baroque littéraire » en France : 1935-1950. Aperçus historiographiques by Guy Catusse

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An Accurate Representation of Incoherent Layers Within One-Dimensional Thin-Film Multilayer Structures With Equivalent Propagation Matrices by J. Puhan, B. Lipovsek, A. Burmen, I. Fajfar

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“The Greatest Revolution in Art”: Reinterpreting Roger Fry’s Byzantinism by Sander Oosterom

Subjects: “…formalism…”
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L’odeur du sang et des roses. Relire Johan Huizinga aujourd’hui, dir. Élodie Lecuppre-Desjardin, Lille, Presses universitaires du Septentrion, 2019 by Patricia Victorin

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Commencement by Gabriel Pulido

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Beyond the Divide in the History of Film Theory: An Intermedial Approach in the Digital Age by Alfredo Suppia

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