L’artificieuse alternative de Ford Madox Ford dans The Good Soldier by Catherine Pesso-Miquel

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The Imprint of the War in Ford Madox Ford’s Critical Writings by Isabelle BRASME

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Szaleństwo zwyczajności – zwyczajność szaleństwa. „Rumble Fish” Francisa Forda Coppoli by Krzysztof Lipka

Subjects: “…Francis Ford Coppola…”
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Serial Production, Serial Photography, and the Writing of History in Three Farmers on Their Way to a Dance by Flora Valadié

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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema by Conall Cash

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“Explaining Is Where We All Get Into Trouble”: Anti-Philosophical Philosophies in Richard Ford’s Bascombe Novels by Nicholas Manning

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Incandescence du traumatisme dans Tetro de Francis Ford Coppola by Jocelyn Dupont

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Furtive majesty in John Ford’s Perkin Warbeck by John Gillies

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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

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“Dusk can be a magical time in the French Quarter”: Richard Ford’s New Orleans before and after Katrina in “Puppy” and “Leaving for Kenosha” by Gérald PRÉHER

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Foundation Networks and American Hegemony by Inderjeet Parmar

Subjects: “…Philanthropic foundations; US hegemony; elite knowledge networks; Rockefeller; Ford; Carnegie…”
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Multiproxy synthesis at the Arlington Archosaur Site: New insights into Cretaceous paralic paleoenvironments and regional stratigraphy, Woodbine Group, Texas, USA by Christopher R. Noto, Peter P. Flaig, Maria Antonietta Lorente

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Filmowy wizerunek Janusza Korczaka by Tadeusz Lubelski

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Unraveling the insomnia puzzle: sleep reactivity, attention deficit hyperactivity symptoms, and insomnia severity in ADHD Patients by Hilal Uygur

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Les représentations filmiques de Marie Stuart– Une femme de pouvoir dans l’air du temps by Armel Dubois-Nayt

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