BÜYÜK VERİ ÇAĞINDA SİSTEM ESTETİĞİ by Zeynep Hekim Bülbül

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Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain by Edward Alexander

“…Roughly contemporaneous with Jack Spicer’s “Poetry as Magic” workshop, Charles Olson’s west coast delivery of the Special View of History lectures and Duncan’s staging of Medea at Colchis were Cage’s classes on experimental composition at the New School for Social Research. While the Fluxus and Happenings movements that emerged from Cage’s New School course rejected many premises Duncan retained as a “derivative poet” both the west and east coast variants of the post-Black Mountain vanguard were working through problems traceable to the institution’s final phase under Olson’s rectorship in 1952-53. …”
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Polityczny wymiar przestrzeni prywatnej i publicznej w filmach Pétera Forgácsa by Gabriela Sitek

“…Odwołuje się do koncepcji filmu kompilacyjnego Jaya Leydy, kategorii ready-made Marcela Duchampa i grupy Fluxus, koncepcji stylu performatywnego dokumentu przypisanego twórczości Pétera Forgácsa w klasyfikacji zaproponowanej przez Billa Nicholsa w Introduction to Documentary. …”
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