Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…The illicit, controversial topics addressed in his early movies, traditionally brought up by exploitation in order to attract audiences whose voyeuristic desires would not be fulfilled by Hollywood’s promotion of moral standards, have predictably put him at the margins of mainstream movie culture. Many exploitation filmmakers have had a strong impact on the filmmaker’s aesthetics and politics—among them, American filmmaker Russ Meyer, a master of sexploitation, whose strong female characters inspired the creation of Waters’s lead female heroines embodied by American drag queen Divine. …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

“…How much of this becomes an expression of the filmmaker through the images? This work was selected for exhibition at the International Visual Sociology Association conference in 2022. …”
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Filmar para tajar: Madrid en el cine en torno al 15-M by Luis Deltell Escolar

“…An analysis is made of the productions by the artistic collectives that emerged as a response to the first demonstrations by the protesters, followed by an overview of the works of established filmmakers who approached this topic and, finally, the aesthetic and thematic evolution of the subsequent films by these creators is explored. …”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

“…Theoretically, there is nothing easier for the filmmaker than to reproduce on the screen this sonorous mimicry of the realist text. …”
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Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique by Delphine Letort

“…Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no historical value since it was developed through creative writing. …”
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NEW SOURCES OF FINANCE FOR THE FILM PRODUCTION by P. Ogurchikov, N. Skobeev

“…The refund mechanism for foreign producers on the example of the Hungarian system of incentives for foreign filmmakers is analyzed. The experience of granting tax incentives for film production of the EU countries is described. …”
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Entre campagne publicitaire et films d’auteur : douze paysages urbains italiens au cinéma by Olivier Gaudin

“…12 Registi per 12 città (1989) is a commissioned promotional film comprising twelve portraits of cities, produced by twelve famous Italian filmmakers before the 14th World Cup (Italia’90). It is an exemplary body of works which can be used to study the relationship between the representation of the urban landscape and the advertising image. …”
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Die Laaste Woord by Manie van Rensburg

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THE FALL OF CINEMA ATTENDANCE IN THE ERA OF "STAGNATION". CAUSES AND CONSEQUENCES by M. Kosinova

“…The author examines the causes of this negative tendency and the measures that took the leaders of the Soviet cinematography and the filmmakers to eliminate this problem. The article contains the questions of cinema sociology, movie rental, repertoire policy.…”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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Donald Barthelme’s “Report” and Michal Rovner’s Decoy series, or the Ongoing Art of Telling It Slant by Sandrine Dechaume

“…This article examines how two contemporary artists, American writer Donald Barthelme and Israeli filmmaker and photographer Michal Rovner use overexposure in order to denounce forms of televisual “brain damage.” …”
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Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) by Gabrielė Norkūnaitė

“…The film actualised heated debates on a national level over the role of ordinary Lithuanians in the Holocaust and collaboration with Nazi Germany, in spite of the fact that the filmmakers did not intend to engage in historical debates. …”
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Los conflictos del documental español: el caso de Basilio Martín Patino by Manuel de la Fuente

“…Spanish filmmaker Basilio Martín Patino’s documentaries show a number of textual and political issues and conflicts. …”
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Une guerre en marge by Victor Barbat

“…In September 1938, filmmaker Roman Karmen went to China to cover the second Sino-Japanese War. …”
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Aller, revenir, tisser un abri : Route One/USA, de Robert Kramer (1989) by Gilles Chamerois

“…Mixing as usual documentary and fiction, the American filmmaker examines the country at the eve of the 1988 general elections. …”
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Un cinéma palestinien « en mal d’archive » by Laure Fourest

“…Through the analysis of three Palestinian films created in the 2000-2010 period, this article considers filmmakers’ insertion of archival images in their montages: what strategies do they employ and for what purpose? …”
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« Spirit of the dead, rise up! […] and claim your story ». Représentation de l’esclavage et esthétique de la résistance dans Sankofa (Haile Gerima, 1993) by Claire Dutriaux

“…Haile Gerima, an independent Ethiopian filmmaker who belonged to the LA Rebellion film movement, directed films which dealt with various aspects of the African American and black diasporic experience. …”
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Galicia ¿escuela de subalternidad? by Marta Álvarez, Laureano Montero

“…María Ruido has become one of the most recognized video artists and filmmakers (in a broad sense of the word) of the contemporary Spanish scene. …”
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Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

“…However, when hoisted by the hands of filmmakers, they are transformed into characters of their own and make room for something that has always been historically denied to them: the speech. …”
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Sud de Chantal Akerman ou une histoire de territoire et de terre : le Sud comme espace de mémoire by Marie Liénard

“…The article examines Chantal Akerman's work Sud (South) filmed in 1999. The Belgian filmmaker had always been fascinated by the Southern part of the United States. …”
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