Claroscura Representation: An Audio-visual and Theoretical Exploration of the Representation of the Past Through Documentary Filmmaking by Gerrit Stollbrock Trujillo

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“When I finished my film, I realized that people really needed me there”: the transformative power of Collaborative Filmmaking by Jessica G. Burke, Annika Agarwal, Mihaja Raonivololona, Tahiry Anjarasoa, Laura Leeson, Sara Baumann

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Reconstructing the Past and the Present: The Ethnographic Films Made by the Estonian National Museum (1961–1989) by Liivo Niglas, Eva Toulouze

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Review of Méliès to 3D: the Cinema Machine exhibition at the Cinémathèque de Paris (October 5th-January 29th, 2017) by David Lipson

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Rolprent, Televisie en die Omgewing by Pieter Jacobus Fourie

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STUDENT CREATED VIDEOS IN ENGLISH LANGUAGE TEACHING by I. E. ABRAMOVA, O. M. SHEREKHOVA, E. P. SHISHMOLINA

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Investigation of the digital technologies influence on the process transformation in cinema by Yu. V. Vorontsova, D. N. Koltsov

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Transcultural transformation in cinema by Yu. V. Vorontsova

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Filmer la ville et ses acteurs ordinaires by Rouba Kaedbey

“…Based on her own experience of filmmaking, the author defends the idea that film is a perfectly appropriate tool to highlight issues of social geography. …”
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Metafory wizji by Stan Brakhage

“…Selected Writings on Filmmaking by Stan Brakhage (2001). Reżyser snuje poetycką, pełną gier słownych refleksję nad tytułowymi metaforami wizji. …”
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A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Coll... by Jessica Williams Boyall

“…Concomitantly, Amber’s radical filmmaking is positioned as relative to its members’ working-class solidarities, with their concern for championing working-class cultures contrasted with Berwick Street’s broader political agendas. …”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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« Qu’es chabat ». Une expérience de la disparition entre présence et rémanence. Situation de l’occitan dans le nord limousin by Jean-Pierre Cavaillé

“…In this paper, we attempt to analyze the situation of Limousin Occitan, or rather what remains of it, through a series of cases encountered during a campaign of documentary filmmaking in Occitan. In this analysis, a concept has emerged, that of “remanence”, in order to describe the situation of a language considered by the very people who speak it as dead, moribund or in a state of survival. …”
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Study of the use of special effects in cinema by Yu. V. Vorontsova, E. A. Alieva

“…Special effects are both combined and complement each other, thus forming a   more efficient filmmaking, which allows you to   fully use the techniques of   impressive display of   visual elements. …”
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…Almodóvar’s typical production-distribution structure and exportable filmmaking style are outlined, as are his US distributor’s strategic use of specialised press, elite events and targeted marketing of arthouse audiences with a specific cultural capital and an established view of European cinema. …”
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Technical means as sources of evidence in cases of administrative offenses: under the prism of observing human rights and freedoms by M. A. Sambor

“…The research is carried out on the basis of strict observance of human rights and freedoms, as fundamental principles of civil society and a democratic state, which should determine the powers, their use, and therefore the behavior of subjects of public administration during the use of technical means of videography, photography and filmmaking. It is argued that no socially significant goal may be the basis for limiting or depriving a person of his or her rights and freedoms, including the right to privacy, in any form. …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

“…Therefore, if we are to consider that a film adaptation presents the story as seen through the lenses of the society contemporary with the filmmaking, we can justly ask ourselves what these two adaptations of A Room with a View tell us about the last part of the 20th century and about the first years of the 21st century.…”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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