“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema by Ian Scott

“…This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. At times, they also offered a more nuanced view of social and historical complexities of the American past than many US-born directors.…”
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Mary Harrod, Heightened Genre and Women’s Filmmaking in Hollywood: The Rise of the Cine-fille by Fruzsina Papp

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Claroscura Representation: An Audio-visual and Theoretical Exploration of the Representation of the Past Through Documentary Filmmaking by Gerrit Stollbrock Trujillo

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Ian Scott, From Pinewood to Hollywood: British Filmmakers in American Cinema, 1910-1969. by Hilaria Loyo

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“When I finished my film, I realized that people really needed me there”: the transformative power of Collaborative Filmmaking by Jessica G. Burke, Annika Agarwal, Mihaja Raonivololona, Tahiry Anjarasoa, Laura Leeson, Sara Baumann

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Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) by Marion Cairault

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Reconstructing the Past and the Present: The Ethnographic Films Made by the Estonian National Museum (1961–1989) by Liivo Niglas, Eva Toulouze

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Review of Méliès to 3D: the Cinema Machine exhibition at the Cinémathèque de Paris (October 5th-January 29th, 2017) by David Lipson

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Rolprent, Televisie en die Omgewing by Pieter Jacobus Fourie

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STUDENT CREATED VIDEOS IN ENGLISH LANGUAGE TEACHING by I. E. ABRAMOVA, O. M. SHEREKHOVA, E. P. SHISHMOLINA

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Investigation of the digital technologies influence on the process transformation in cinema by Yu. V. Vorontsova, D. N. Koltsov

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Transcultural transformation in cinema by Yu. V. Vorontsova

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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…The illicit, controversial topics addressed in his early movies, traditionally brought up by exploitation in order to attract audiences whose voyeuristic desires would not be fulfilled by Hollywood’s promotion of moral standards, have predictably put him at the margins of mainstream movie culture. Many exploitation filmmakers have had a strong impact on the filmmaker’s aesthetics and politics—among them, American filmmaker Russ Meyer, a master of sexploitation, whose strong female characters inspired the creation of Waters’s lead female heroines embodied by American drag queen Divine. …”
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Irse quedando en el cine y los libros by Joaquín Manzi

“…In order to explore the tensions that define the filmmaker-writer practices, this paper approaches Jorge Dana’s novel Bicho de luz (2012) by comparing film and writing. …”
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Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique by Delphine Letort

“…Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no historical value since it was developed through creative writing. …”
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Migration and the Feminization of Power by Elizabeth Olayiwola

“…In each transnational Mount Zion video, the filmmaker struggles to square cultural and biblical constructions of gender roles. …”
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Die Laaste Woord by Manie van Rensburg

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Donald Barthelme’s “Report” and Michal Rovner’s Decoy series, or the Ongoing Art of Telling It Slant by Sandrine Dechaume

“…This article examines how two contemporary artists, American writer Donald Barthelme and Israeli filmmaker and photographer Michal Rovner use overexposure in order to denounce forms of televisual “brain damage.” …”
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Une guerre en marge by Victor Barbat

“…In September 1938, filmmaker Roman Karmen went to China to cover the second Sino-Japanese War. …”
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Aller, revenir, tisser un abri : Route One/USA, de Robert Kramer (1989) by Gilles Chamerois

“…Mixing as usual documentary and fiction, the American filmmaker examines the country at the eve of the 1988 general elections. …”
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