Representación del indígena en el cine venezolano: Contrastando estereotipos: entre ficciones y realidades by Emperatriz  Arreaza  Camero

“…The objective of this paper is to know the image of the indigenous communities in the Venezuelan cinema (1998-2008), and the representation of these ethnics groups, through the definition of “national identity” in contemporary Venezuela, especially since the struggles of the indigenous people for their cultural and ethnic survival, their defense of their land, and their political and economic self-determination.It is important to remember that in 1968, during the first government of Rafael Caldera (1969-1974), the country began a “new indigenous policy”, in the midst of the economic desarrollista model implanted for this government, called the conquest of the South [la Conquista del Sur], which also allowed a new ethnographic and socio-anthropological approach to the indigenous communities, from different filmmakers formed in Venezuela and abroad. This paper presents a preliminary film inventory of this filmography, as a representative example of fictional films and documentaries, with indigenous theme, to know the representation of this population in the current Venezuelan “audiovisual imagery”, during this particular time.…”
Get full text

Remote Control: Censoring Diasporic Identities in Atom Egoyan’s Films by Jean-François Baillon

“…The theme of censorship in its various guises, through the recurrent trope of smuggling and the illicit crossing of boundaries watched over by literal and figurative variations on the figure of the censor, is central to an approach to the films and is shared with other diasporic filmmakers. The allegories of censorship that pervade Egoyan’s films testify to the diasporic condition as split selves are torn between several conflicting agendas and these creative tensions in turn surface as dynamic inspiration for the films. …”
Get full text

Žáner — prekliatie a požehnanie slovenského filmu by Juraj Malíček

“…This study presents key film works of Slovak cinema in the context of its development from the establishment of the independent Slovak Republic to the present day, with an emphasis on the increasingly prevalent inclination of Slovak filmmakers towards so-called genre film. The fact that Slovak cinema seems to have everything — except for an audience — can be considered a long-standing and persistent problem, but it does not explain the entire state of affairs. …”
Get full text

Faire obstacle à la vérité et tromper les attentes : Hitchcock et Wilder comme on les connaît peu by Julie Michot

“…Both movies appear to highlight the flaws in the English judicial system—since the action takes place in London—while in fact it is clear that the filmmakers’ judgment is much wider and also applies to their adopted country, the USA. …”
Get full text

THE ROLE OF ETHICS AS A COMPONENT OF PHILOSOPHY IN HISTORY-THEMED DOCUMENTARIES by USAKU ROBINSON WAMMANDA

“… This article examines ethics and philosophical considerations in media and communication within the context of historical documentary filmmaking. The main aim is to speak to the reason for which history-themed documentaries as a form of film that deals with factual representation of history, is not without the application of ethics as a component of philosophy. …”
Get full text

Looking for “I”: Casting the Unnamed Heroine in Alfred Hitchcock and David O. Selznick’s Adaptation of Rebecca by Milan Hain

“…This article considers the lengthy process of casting the unnamed female protagonist in the first film version of Daphne Du Maurier’s Rebecca in light of the more general adaptation strategies employed by the filmmakers, particularly the independent producer David O. …”
Get full text

Cultural Signs in Multilingual Drama Feature Films: Rendition Strategies by Homa Tavousi, Azadeh Eriss

“…The contemporary international landscape is more accurately portrayed in the works of filmmakers who increasingly choose to incorporate multiple languages. …”
Get full text

Tongues Untied (Marlon Riggs, 1989) et Paris is Burning (Jennie Livingston, 1990) : les documentaires du New Queer Cinema by Camille Bui

“…By analyzing the documentary poetics of the two films, this paper intends to show how the filmmakers develop different strategies of resistance against the “technologies of gender.”…”
Get full text

Study of the use of special effects in cinema by Yu. V. Vorontsova, E. A. Alieva

“…Special effects are both combined and complement each other, thus forming a   more efficient filmmaking, which allows you to   fully use the techniques of   impressive display of   visual elements. …”
Get full text

Who Owns AI? by Amy Whitaker

“…This work adds to research in arts entrepreneurship because copyright and shared value is so vital to the livelihood of working artists, including writers, filmmakers, and others in the creative industries. Sarah Silverman’s lawsuit against OpenAI is used as the main case study. …”
Get full text

Powrót do ruin. O atrakcyjności niemieckiego powojnia by Jakub Gortat

“…This is because the purpose of the analysis is to present the changing attitudes of filmmakers representing nations hostile to Germany until 1945 to the civilian population of ruined German cities. …”
Get full text

Quantum-inspired framework for big data analytics: evaluating the impact of movie trailers and its financial returns by Jaiteg Singh, Kamalpreet Singh Bhangu, Farman Ali, Ahmad Ali AlZubi, Babar Shah

“…It would offer valuable insights for filmmakers and marketers to optimize audience engagement and financial returns.…”
Get full text

Authorial Narratives in the Work of Middle Eastern Directors by Галина Погребняк

“…The scientific novelty of the research lies in the fact that the problem of intercultural cooperation in the production and distribution of films in Middle Eastern countries in the context of the functioning of international support programs became the subject of a particular study for the first time; the work of filmmakers whose films were created as international projects and presented at international film festivals is singled out and characterised; the practicality of using the systematic method in the study of new narratives of films of the Middle Eastern region is proven. …”
Get full text

Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art by Ганна Чміль, Максим Вітошкін

“…The scientific novelty is that, for the first time, the approaches to documentary and fiction filmmaking are compared; the details of the phenomenon of the hybrid cinematic genre of mockumentary are established, and its psychological impact on the viewer is studied; the influence of the mockumentary genre on the formation of an audiovisual work through associative editing is outlined. …”
Get full text

“The World is Cursed”: Studio Ghibli’s Radical Environmental Philosophy by Claire Patzner

“…In contrast to American major animation studios who may only touch upon these issues thematically or allegorically to appeal to the masses, the Japanese filmmakers at Studio Ghibli are unafraid to continuously and directly depict war and human greed. …”
Get full text

Gender (im)balance in the Russian cinema: on the screen and behind the camera by Xenia Leontyeva, Olessia Koltsova, Deb Verhoeven

“…Although Russia exemplifies a large non-Western cinema market, the trends we identify, particularly the “gatekeeping” effect of male filmmakers, is notably in line with those observed in Western democracies.…”
Get full text

Technical means as sources of evidence in cases of administrative offenses: under the prism of observing human rights and freedoms by M. A. Sambor

“…The research is carried out on the basis of strict observance of human rights and freedoms, as fundamental principles of civil society and a democratic state, which should determine the powers, their use, and therefore the behavior of subjects of public administration during the use of technical means of videography, photography and filmmaking. It is argued that no socially significant goal may be the basis for limiting or depriving a person of his or her rights and freedoms, including the right to privacy, in any form. …”
Get full text

A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

“…Therefore, if we are to consider that a film adaptation presents the story as seen through the lenses of the society contemporary with the filmmaking, we can justly ask ourselves what these two adaptations of A Room with a View tell us about the last part of the 20th century and about the first years of the 21st century.…”
Get full text

Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
Get full text