Trasvasijes poéticos y literarios en el cine chileno.Entre Raúl Ruiz e Ignacio Agüero by Carolina Urrutia Neno, Felipe Blanco

“…The starting point is the book Written by filmmakers, which compiles essays by thirty Chilean filmmakers, including one written by Agüero and several others in which Ruiz emerges as an undeniable influence. …”
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Cinemas and Spectators of International Development by Molly Geidel

“…This article tracks how mid-20th century US and Latin American documentary filmmakers created a visual and narrative repertoire that encouraged spectators worldwide to imagine a global transformation from the stagnant living death of underdevelopment to striving, productive life-in-development. …”
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Filmar para tajar: Madrid en el cine en torno al 15-M by Luis Deltell Escolar

“…An analysis is made of the productions by the artistic collectives that emerged as a response to the first demonstrations by the protesters, followed by an overview of the works of established filmmakers who approached this topic and, finally, the aesthetic and thematic evolution of the subsequent films by these creators is explored. …”
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Filmer la ville et ses acteurs ordinaires by Rouba Kaedbey

“…Based on her own experience of filmmaking, the author defends the idea that film is a perfectly appropriate tool to highlight issues of social geography. …”
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Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant by Delphine Letort

“…Not only did it support the emergence of black cinema by opening up filmmaking to black crews, but it also broached taboo subjects while depicting black sexuality (miscegenation) and police brutality. …”
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Présences mémorielles et carences fictionnelles : L’espace du deuil dans le cinéma indépendant new-yorkais post-11/09 by Vincent SOULADIÉ

“…Whereas the Hollywood majors observed a careful distance in the evocation and the representation of 9/11, several filmmakers belonging to New York's independent cinema chose to rapidly direct movies set in its immediate aftermath and in the bruised landscape of New York. …”
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The War Game et Who Bombed Birmingham ?  : usage politique du mode réflexif by Georges Fournier

“…this essay will try to show how filmmakers purported to arouse the awareness of television viewers to the subjectivity inherent in the filmic material and in particular in television journalism.…”
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Arrows of Desire: Dance and Power in Transnational Cinema by May Telmissany

“…This article focuses on the complexity of oriental belly dancing as it has become in recent years an expression of female joy and “will to power” celebrated by Arab and North African diaspora filmmakers. Associated with female emancipation rather than moral decline, the practice of oriental dancing is perceived as a symbol of subaltern expression, a site of female solidarity and a tool for sexual liberation. …”
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Des créateurs et des curateurs aux frontières des arts visuels et du cinéma documentaire. Maroc – Tunisie (2011-2016) by Marie Pierre-Bouthier

“…In this paper, we follow a few documentary filmmakers from Morocco and Tunisia who have crossed paths with contemporary art during their career. …”
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NEW SOURCES OF FINANCE FOR THE FILM PRODUCTION by P. Ogurchikov, N. Skobeev

“…The refund mechanism for foreign producers on the example of the Hungarian system of incentives for foreign filmmakers is analyzed. The experience of granting tax incentives for film production of the EU countries is described. …”
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Entre campagne publicitaire et films d’auteur : douze paysages urbains italiens au cinéma by Olivier Gaudin

“…12 Registi per 12 città (1989) is a commissioned promotional film comprising twelve portraits of cities, produced by twelve famous Italian filmmakers before the 14th World Cup (Italia’90). It is an exemplary body of works which can be used to study the relationship between the representation of the urban landscape and the advertising image. …”
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Metafory wizji by Stan Brakhage

“…Selected Writings on Filmmaking by Stan Brakhage (2001). Reżyser snuje poetycką, pełną gier słownych refleksję nad tytułowymi metaforami wizji. …”
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THE FALL OF CINEMA ATTENDANCE IN THE ERA OF "STAGNATION". CAUSES AND CONSEQUENCES by M. Kosinova

“…The author examines the causes of this negative tendency and the measures that took the leaders of the Soviet cinematography and the filmmakers to eliminate this problem. The article contains the questions of cinema sociology, movie rental, repertoire policy.…”
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A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Coll... by Jessica Williams Boyall

“…Concomitantly, Amber’s radical filmmaking is positioned as relative to its members’ working-class solidarities, with their concern for championing working-class cultures contrasted with Berwick Street’s broader political agendas. …”
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Riding High in the Saddle: African American Subversion in the 1930s Western by Susan Savage Lee

“…The advent of sound in film provided a unique opportunity for minority filmmakers to contribute to the early cinema. African American filmmakers like Spencer Williams, for example, turned to the genre of the western because it was a familiar genre for both mainstream and minority audiences. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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De l’usage postcolonial de l’archive. Quelques pistes de réflexion by Crystel Pinçonnat

“…The purpose of the project is to highlight the various ways, in which archives are used by contemporary artists – writers primarily, but also filmmakers and visual artists – in a postcolonial perspective.…”
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An analysis of Masoud Kimiyaei’s novel, Jasadhaye Shishei by by Teymoor Malmir, Sarkoo Nazir Hosein

“…Masoud Kimiyaei is famous for scriptwriting and filmmaking, but he has showcased his art in literary creation by writing a novel, Jasadhaye Shishei. …”
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Video y escritura. La inscripción en la interface electrónica y digital by Jacobo Sucari

“…The invention of the electronic image of video, and later of digital compression, opened the doors to radical experimentation that changed the clichés of the film industry and the roles occupied by filmmakers and writers. This article sets references from the point of view of a media archaeology on the processes of audiovisual construction that have modified, since the electronic revolution, the relationship between text and image.…”
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Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) by Gabrielė Norkūnaitė

“…The film actualised heated debates on a national level over the role of ordinary Lithuanians in the Holocaust and collaboration with Nazi Germany, in spite of the fact that the filmmakers did not intend to engage in historical debates. …”
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