THE FALL OF CINEMA ATTENDANCE IN THE ERA OF "STAGNATION". CAUSES AND CONSEQUENCES by M. Kosinova

“…The author examines the causes of this negative tendency and the measures that took the leaders of the Soviet cinematography and the filmmakers to eliminate this problem. The article contains the questions of cinema sociology, movie rental, repertoire policy.…”
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A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Coll... by Jessica Williams Boyall

“…Concomitantly, Amber’s radical filmmaking is positioned as relative to its members’ working-class solidarities, with their concern for championing working-class cultures contrasted with Berwick Street’s broader political agendas. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) by Gabrielė Norkūnaitė

“…The film actualised heated debates on a national level over the role of ordinary Lithuanians in the Holocaust and collaboration with Nazi Germany, in spite of the fact that the filmmakers did not intend to engage in historical debates. …”
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Un cinéma palestinien « en mal d’archive » by Laure Fourest

“…Through the analysis of three Palestinian films created in the 2000-2010 period, this article considers filmmakers’ insertion of archival images in their montages: what strategies do they employ and for what purpose? …”
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Galicia ¿escuela de subalternidad? by Marta Álvarez, Laureano Montero

“…María Ruido has become one of the most recognized video artists and filmmakers (in a broad sense of the word) of the contemporary Spanish scene. …”
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« Qu’es chabat ». Une expérience de la disparition entre présence et rémanence. Situation de l’occitan dans le nord limousin by Jean-Pierre Cavaillé

“…In this paper, we attempt to analyze the situation of Limousin Occitan, or rather what remains of it, through a series of cases encountered during a campaign of documentary filmmaking in Occitan. In this analysis, a concept has emerged, that of “remanence”, in order to describe the situation of a language considered by the very people who speak it as dead, moribund or in a state of survival. …”
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Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

“…However, when hoisted by the hands of filmmakers, they are transformed into characters of their own and make room for something that has always been historically denied to them: the speech. …”
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Dickens, David Lean, and After: Twenty-First-Century Adaptations of Oliver Twist by Chris Louttit

“…In interestingly varied ways, as this essay will show, subsequent filmmakers must offer a response to the David Lean version as well as providing a reinterpretation of the novel itself.…”
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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

“…His autobiographical essays are peppered with references to famous filmmakers who helped him shape his language for the stage. …”
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«Pasa la vida»: Cartografías Urbanas de Madrid en la Post-Transición (1982-1994) by Vicente Rodríguez Ortega

“…From the late 1980s to the mid 1990s, filmmakers tackle a social fabric characterized by a «presentism» that leaves behind a productive commitment to recent Spanish history and the capacity of the citizenry to decisively intervene within the constitutive pillars of social reality. …”
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Transfer of Ideological Stances through Stylistic Choices in Translation: The Case of the Persian Subtitle of The Matrix by Sima Imani, Jalil Jalali

“…Nevertheless, stylistic choices of the subtitler could reveal the ideologies of the translator and filmmakers. Subtitling in Iran is mainly performed by fans, and their subtitles are widely used on various unauthorized websites. …”
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The Making-of Documentary: An Approximation to some Discourse Intentions and Contemporary Uses by Armando Andrade Zamarripa

“…In the first, its contemporary definition is proposed; In the following, we establish the distinction between the Making-of Documentary and its predecessors or other contemporary practices; Lastly, we approach its discursive intentions — as a promotional object of the film which it alludes to and of its filmmakers as “authors” — and its current uses, which promote an expansion of cinephilia and self- learning in the viewers. …”
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Žáner — prekliatie a požehnanie slovenského filmu by Juraj Malíček

“…This study presents key film works of Slovak cinema in the context of its development from the establishment of the independent Slovak Republic to the present day, with an emphasis on the increasingly prevalent inclination of Slovak filmmakers towards so-called genre film. The fact that Slovak cinema seems to have everything — except for an audience — can be considered a long-standing and persistent problem, but it does not explain the entire state of affairs. …”
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Cultural Signs in Multilingual Drama Feature Films: Rendition Strategies by Homa Tavousi, Azadeh Eriss

“…The contemporary international landscape is more accurately portrayed in the works of filmmakers who increasingly choose to incorporate multiple languages. …”
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Study of the use of special effects in cinema by Yu. V. Vorontsova, E. A. Alieva

“…Special effects are both combined and complement each other, thus forming a   more efficient filmmaking, which allows you to   fully use the techniques of   impressive display of   visual elements. …”
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Who Owns AI? by Amy Whitaker

“…This work adds to research in arts entrepreneurship because copyright and shared value is so vital to the livelihood of working artists, including writers, filmmakers, and others in the creative industries. Sarah Silverman’s lawsuit against OpenAI is used as the main case study. …”
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Quantum-inspired framework for big data analytics: evaluating the impact of movie trailers and its financial returns by Jaiteg Singh, Kamalpreet Singh Bhangu, Farman Ali, Ahmad Ali AlZubi, Babar Shah

“…It would offer valuable insights for filmmakers and marketers to optimize audience engagement and financial returns.…”
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Technical means as sources of evidence in cases of administrative offenses: under the prism of observing human rights and freedoms by M. A. Sambor

“…The research is carried out on the basis of strict observance of human rights and freedoms, as fundamental principles of civil society and a democratic state, which should determine the powers, their use, and therefore the behavior of subjects of public administration during the use of technical means of videography, photography and filmmaking. It is argued that no socially significant goal may be the basis for limiting or depriving a person of his or her rights and freedoms, including the right to privacy, in any form. …”
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