Cinema e pittura (traduzione di Tamara Đokić) by Vladimir Petrić

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Note sulla teoria dell’arte cinematografica (traduzione di Kateryna Mychka) by Leonid Skrypnyk

Subjects: “…Ukrainian Film Theory…”
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Rolprent, Televisie en die Omgewing by Pieter Jacobus Fourie

Subjects: “…realist and expressionist film theories…”
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Lacan’s three orders, the graphe complet and music in film: by Zelda Potgieter

“… This article engages with the Lacanian tradition of film theory in order to suggest some of the ways in which music in film may be understood to contribute significantly to subject identification in filmic experience. …”
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İbretnüma (2009) in the context of shadow play representation language with a feminist approach by Berceste Gülçin Özdemir, Nilay Ulusoy

“…This allows for an examination of the female character’s position in both public and private spheres, informed by feminist film theory and the concepts explored in the work.…”
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies by Greg Hainge

“…Analysing Jonathan Glazer’s Under the Skin (2013), this article provides an overview of the importation of suture theory from psychoanalysis into film theory and Žižek’s revisiting of this theory, then bringing about a rapprochement between the concepts of suture and Malabou’s destructive plasticity, as expounded in her work The New Wounded. …”
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A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Coll... by Jessica Williams Boyall

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De gatos, ratones y caracoles. Continuidad y ruptura de las imágenes cinematográficas de la sociedad colombiana by Sonia Sánchez-Rivera

“…Based on a methodology that establishes the reading of works, in key to film theories (Casetti, 2005), conceptual and visual metaphors (Lakoff & Johnson, 2017) and some approaches to decolonial thinking (Quijano, 2000) is expected to show how cinema offers arguments, points of view or social, political and symbolic explanations that intervene in the creation of images of societies, their contexts and their history. …”
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