Presence africaine and the emergence of african film criticism by Ntongela Masilela

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Aller, revenir, tisser un abri : Route One/USA, de Robert Kramer (1989) by Gilles Chamerois

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Cinematografo: uno spettacolo delle maschere (traduzione di Olga Trukhanova) by Mykola Ljadov

Subjects: “…Ukrainian Film Criticism…”
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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

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Almodóvar’s Baroque Transitions in the Early Films (1980–1995) by Frederic Conrod

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The Film Treasures of Lithuanian Television from the Viewpoint of Film Criticism. - Rec.: Pauraitė-Puplauskienė R. LTV filmai ir jų kūrėjai.... by Rūta Šermukšnytė

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Bloomsbury and the Cinema: Practice and Theory of a New Form of Expression by Floriane Reviron

“…Our aim is to analyse Bloomsbury’s ethics and aesthetics in relation with the new issues raised by the technology of the moving pictures and the cross-fertilization between the terminology created by Bloomsbury and avant-garde film criticism. Bloomsbury’s own practice of film criticism was informed by formalism and abstraction and attests to a confluence between pictorial post-impressionism and cinematic expressionism.…”
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Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement by Daniel Sullivan

“…The reconstructed debate between these four critic/practitioners touches on central issues for film criticism, including methodological approaches of ontology versus dialectics and the question of how to represent utopic impulses in cinema.…”
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Expressions of a backlash: Challenging the story of success in Norwegian cinema of the 1980s and 1990s by Fosheim Lund Maria, Kielland Servoll Johanne, Holtar Ingrid Synneva

“…We explore the loss of position of female directors by looking at film reception and film criticism. We further present and discuss a numerical breakdown of women directors and female lead characters in the 1980s and 1990s and point to thematic readings of the on-screen portrayal of women characters in this time span. …”
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Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment by Louis Samuel Mealing

“…Since his debut feature The Return (2003), Andrey Zvyagintsev's films have drawn focus from film critics and theorists seeking to investigate a contextual analysis or the director's religious allusions. …”
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