Tension in Modernist Art and Lyric Poetry at the Beginning of the 20th Century in Estonian Culture: Ernst Enno and Others by Anneli Mihkelev

“…Ridala and Enno also used visual effects, and their texts have been set to music as well as becoming part of the visual arts in films and serials. The paper analyses the verbal texts of Enno and Ridala, and the interaction between visual and verbal texts. …”
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Appareillages livresques et diffractions fictionnelles dans le projet multimodal Character de Paul Heintz by Corentin Lahouste, David Martens, René Audet

“…Exploring the links between books, films and exhibitions, the artist has produced a protean proposal that challenges the traditional concept of the work as a unitary, homogeneous creation, and in which the book, materialised as a “heterogeneous editorial object”, is given a cardinal function. …”
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Heterovalent Cation Substitutional and Interstitial Doping in Semiconductor Sensitizers for Quantum Dot Cosensitized Solar Cell by Ningning Zhang, Xiaoping Zou, Yanyan Gao

“…Doped films of TiO2/PbS/CdS have been prepared by successive ionic layer adsorption and reaction (SILAR) method. …”
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Bioactive Compounds from Agricultural Residues, Their Obtaining Techniques, and the Antimicrobial Effect as Postharvest Additives by Rafael Gomes-Araújo, Dolores Gabriela Martínez-Vázquez, Ana Verónica Charles-Rodríguez, Sarahi Rangel-Ortega, Armando Robledo-Olivo

“…This review presents an updated overview of the knowledge about bioactive compounds derived from plant residues, the techniques most used for obtaining them, their incorporation in edible films and coatings, and the methods of microbial inhibition.…”
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Nanoindentation analysis of transcrystalline layers in model carbon fiber-reinforced PEEK composite by Sophie Vanpée, Bernard Nysten, Jérémy Chevalier, Thomas Pardoen

“…The artefacts and sources of uncertainty of performing indentation experiments on thin polymer films containing some fibers are also discussed. …”
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The use of authentic video materials in language teaching by Elena V. Revina

“…The methods of using authentic films are presented. The problem of rational use of authentic video is given in the program design for the use of authentic video on the lessons for German language.…”
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Arrows of Desire: Dance and Power in Transnational Cinema by May Telmissany

“…Using Deleuze and Guattari's conceptualization of desiring machines, this article is an attempt to disentangle the problematic relationship between dance, desire and power in four films directed by North African filmmakers living in France: Satin Rouge [Raja Amari, Tunisia, 2002], Viva Laldjérie and Délice Paloma [Nadir Moknèche, Algeria, 2004 and 2007], and Whatever Lola Wants [Nabil Ayouch, Morocco, 2007].…”
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La intertextualidad como recurso neobarroco en El hombre, la hembra y el hambre, de Daína Chaviano by Maritza M. Buendía, Lucía Ramírez-Vargas

“…Mediante una lectura en filigrana, se hace un estudio comparativo entre Claudia —protagonista de esta obra literaria—, Papillon y McMurphy —personajes de los filmes Papillon (1973) y One Flew Over the Cuckoo’s Nest (1975), respectivamente—. …”
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Quand l’inclusion inversée tend à bousculer la forme scolaire en école maternelle by Amael André, Diane Bedoin

“…From a double theoretical framework — in social psychology and in interactionist sociology — and a mixed methodology — filmed observations and semi-structured interviews — the case study allows to identify how reverse inclusion structure affects the way of thinking and organizing the school form, by playing on the dynamics of interactions between young children with ASD (in terms of social participation) and adults (in terms of guidance).…”
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La fabrique de l’homme objet dans Lolita de Stanley Kubrick by Emmanuelle Delanoë-Brun

“…Beyond considerations regarding the degree of continuity or discrepancy between the original work and its filmed version, Stanley Kubrick’s adaptation of Nabokov’s novel fits into a body of cinematographic work that relentlessly probes the question of man’s position in the social, political and intimate sphere, of his often failed aspiration towards selfhood and humanity. …”
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Familiarisation et dé-familiarisation : la figure de l’« étranger » dans la comédie indo-britannique by Amandine Ducray

“…Meant to make the audience laugh, these films nevertheless try to changeboth the representation and perception of British-Asian ethnic minorities as well as hose of so-called “indigenous” Britons themselves. …”
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Analyse des liens de la typicité catégorielle des élèves avec la quantité et qualité des interactions en classe by Lara Laflotte

“…In that study, teachers are observed and filmed during teaching to assess classroom interactions in relation to students’ categorizations and categorical closeness. …”
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Observer les pratiques enseignantes : la psychologie historico-culturelle, un cadre pour caractériser les dimensions visibles et invisibles du travail enseignant by Thierry Piot

“…As far as methodology is concerned, visible activity is recorded by digital camera, and invisible activity is inferred from explanatory interviews carried out with teachers whose classes are filmed. All this information helps to better understand the complexity of teachers’work, which combines unvarying elements and elements arising from the context and the dynamics of pupil-teacher interactions.…”
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Une chambre à soi : genres et corps en art by Luc Schicharin, Anne-Laure Vernet

“…Thanks to the interdisciplinarity of the many lecturers, all coming from an international network, the diversity in epistemological analytic context, methodology and analysis, allowed an approach both sharp and renewed of the problematic of the contemporary bodies in art. The filming of the symposiums and of the conversations and debates that they provoqued led to the making of several short movies. …”
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Expérimenter les ambiances sous-marines par l’architecture ? by Christophe Camus

“…The third part analyzes the scenography of the atmospheres of a submarine village, with a very meticulous design and architecture, that Jacques-Yves Cousteau immersed and filmed in 1963. The last part of this article describes the approach of architect Jacques Rougerie, from his research of the founding principles of an underwater architecture to his first underwater houses claiming an attention to the atmospheres produced by this environment.…”
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Arte vanguardista en América Latina y nuevo cine latinoamericano by Silvana Flores

“…Mediante un estudio intertextual de algunos filmes brasileños, argentinos y cubanos de la segunda mitad del siglo XX, en este artículo se demuestra la influencia de las artes plásticas de principios de esa centuria en las producciones cinematográficas adscritas al nuevo cine latinoamericano (NCL), las cuales procuraron establecer una estética acorde a las realidades sociopolíticas nacionales, haciendo del séptimo arte un vehículo de denuncia social. …”
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“Sorry, no landscapes”. La volatilisation du paysage dans les atmosphères de Blow up (1966) de Michelangelo Antonioni by Olivier Gaudin

“…What continuities from and breaks with Antonioni’s previous films can be discerned? This article examines the staging of London atmospheres as a deliberate rejection of landscape. …”
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Fear of an Islamic Planet? Intermedial Exchange and the Rhetoric of Islamophobia by Stefan L. Brandt

“…The fears of a potential—or already ongoing—“Islamization of America” are kept alive through continual interaction between texts and images from hegemonic visual discourse, involving what I call “intermedial exchange” between literary texts, films, television shows, magazines, newspapers, and the Internet.…”
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Cartografía de las ruinas: sitios de memoria del punk chileno en tres documentos audiovisuales by Macarena Urzúa Opazo

“…Throughout the analysis of three audiovisual pieces, two documentaries films and one video art, the countermovement of punk appears as a way to occupy Santiago during military dictatorship in the late eighties. …”
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Direct Growth of High-Quality InP Layers on GaAs Substrates by MOCVD by K. F. Yarn, W. C. Chien, C. L. Lin, C. I. Liao

“…In this report, we have overcome the drawback of surface roughness of metamorphic buffer layer by LP-MOCVD technique and have grown InP metamorphic buffer layers with various thickness on misoriented GaAs (1 0 0) substrates with 10 degree towards (1 1 1)A. The grown films are characterized by optical microscopy, atomic force microscopy, secondary ion mass spectrometry, transmission electron microscopy and double-crystal X-ray diffraction. …”
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