Everyday Magic or Winter Haunting? Kevin Sullivan’s Supernatural Re-Visioning of L. M. Montgomery’s Jane of Lantern Hill by Heidi Lawrence

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Interpretaciones del complot en Los muros azules de Juan Carlos Martelli by Lucía Feuillet

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Pour un usage externe des théories de la science-fiction by Simon Bréan

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Rhythmic prose in The Lord of the Rings by J.R.R. Tolkien by Vladimir A. Afanasev

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Super-héros et science-fiction française dans l’immédiat après-guerre by Désirée Lorenz

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Langues et langages du merveilleux dans L’Enjomineur : enjeux poétiques, historiques et narratifs by Joanna Pavlevski-Malingre

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The ancient past and fiction, or about the construction of worlds by humanities scholars: A review of books by D.E. Martynov

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Meaningful miracles: Unraveling eucatastrophe in the select fantasy fiction of J.K. Rowling by Swathi Metla, Yu. V. Sudha Devi

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Therapy culture and the production of subjectivity in neoliberalism by Urošević Milan

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Les codes du factice dans Big Fish de Tim Burton by Anne-Marie Paquet-Deyris

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Game principles of the art space's organization in D.W. Jones's novel Hexwood by Olga S. Naumchik

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Dragons, witches, and sorcerers in the advocacy space of national mythology [Review: Breeva Т.N., Khabibullina L.F. 'Russian Myth' in Slavic Fantasy. Moscow, Flinta, 2016] by O.E. Osovskiy

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Le rôle du mobile gaming dans l’engagement du consommateur aux compétitions sportives : cas de la « Fantasy Premier League » by Youness ARBAOUI

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Muzyczne harmonie i harmonia świata. „Pieśni Ziemi i Mocy” Grega Beara by Joanna Kokot

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Influence de la fiction policière américaine chez trois auteurs de fantasie britannique (Green - Pratchett - Scott) by Catherine Magalhaes

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Travelling to the described present: mago-space in the Strugatskys’ Monday starts on Saturday by Natalia Tuliakova, Natalia Nikitina

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Carl Philipp Emanuel Bachs Fantasien, oder: Von der »Wissenschaft der Harmonie« by Ralph Bernardy

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Markus Schwenkreis (Hg.), Compendium Improvisation – Fantasieren nach historischen Quellen des 17. und 18. Jahrhunderts (= Scripta, Bd. 5), Basel: Schwabe 2018 by Lutz Felbick

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»Leaving the key« in »gravity and piety«. Zur Tonartbehandlung in William Byrds Fantasien für Tasteninstrumente by Tihomir Popovic

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Tswana-speaking students’ perceptions of HIV/AIDS and poverty by Paul Schutte

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