Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky by Gabriele

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Virtual Immersive Models for Viewing Social Science Fiction in European Cinema by Federico O. Oppedisano, Daniele Rossi

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Obca kraina by Joanna Krakowska

“… Recenzja książki Ewy Mazierskiej European Cinema and Intertextuality. History, Memory and Politics (2011). …”
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…Almodóvar’s typical production-distribution structure and exportable filmmaking style are outlined, as are his US distributor’s strategic use of specialised press, elite events and targeted marketing of arthouse audiences with a specific cultural capital and an established view of European cinema. Methodology: The article focuses on qualitative research, supported by quantitative box office data, to analyse Almodóvar’s reach in the US and to study influences and trends in the North American market. …”
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Film Industry at the Service of EU Identity Politics by E. V. Khakhalkina, A. V. Vyachistaya

“…Metz).The article analyzes how the EU has intensified its institutional support and promotion of European cinema, particularly in response to the «crisis of ideas» in Hollywood, which has left a void in the global film market. …”
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