Gathering and Scattering Emily Dickinson’s Poetry by Antoine Cazé

“…The composition of Emily Dickinson’s poetic work has implied many stages of unbinding and rebinding her poems, from her own self-publishing practices (the now famous “fascicles”), through three editions of her Complete Poems (Johnson 1955, Franklin 1998, Miller 2016, all published by Harvard University Press) up to the recent uploading of her manuscripts as electronic archives on the Internet. …”
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Emily Dickinson’s Line Breaks in Her Envelope Poems by Antoine Cazé

Subjects: “…Emily Dickinson…”
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Wendy MARTIN (ed). The Cambridge Companion to Emily Dickinson. by Joanny Moulin

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The Influence of Shakespearean Theatricality on Emily Dickinson’s Lyrical Self by Adeline Chevrier-Bosseau

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Emily Dickinson y Gilberto Owen: ese par de perversos by Alfredo Rosas

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Renée Bergland, Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science by Jamie Fenton

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Jed Deppman, Marianne Noble, and Gary Lee Stonum, eds., Emily Dickinson and Philosophy by Thomas Constantinesco

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After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma by Antoine Cazé

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Écrire « au nom de l’Abeille, du Papillon et de la Brise » : figures animalières et paysagères dans les écrits d’Emily Dickinson. by Estève Marie

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A New American “Physical Morality”: Martha Graham and the Revaluation of the Body in Letter to the World by Adeline Chevrier-Bosseau

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« A Single Tone Coming Out Of A Vast, Empty Space » : John Adams, le contemporain au risque de l’anachronisme by Mathieu Duplay

Subjects: “…Emily Dickinson…”
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Conjurer l’écart, susciter les rencontres : Traduire la poésie by Claire Malroux

Subjects: “…Emily Dickinson…”
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Spectral Telepathy: the Late Style of Susan Howe by Marjorie Perloff

“…Whereas Howe’s earlier books of critical prose—for example, My Emily Dickinson (1985)—used scholarship to buttress Howe’s critical positions and arguments, her new “essays” in The Quarry are more properly understood as poems. …”
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“Gestures of Air and Stone”: Translating Ethan Frome into Dance in Cathy Marston’s Snowblind by Adeline Chevrier-Bosseau

“…When choreographer Cathy Marston sought to translate Ethan Frome into dance, it was the “elemental feel” of the novella that inspired her quest for finding ways of dancing “New Englandly,” to paraphrase Emily Dickinson, and to choreograph what literature feels like. …”
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