Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky by Gabriele

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THE EVOLUTION OF THE INTERFERENCE OF NEW TECHNOLOGIES IN MUSICAL CREATION by Ciprian Gabriel POP

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THE MUSICAL SCORE: FROM PAPER TO THE ELECTRONIC MEDIUM by Ciprian Gabriel POP

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New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

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INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

“…Finally yet importantly, the article attempts to familiarize the reader with a bizarre sound universe, bordering achievements in electronic music, and to promote the work of a highly original author. …”
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Burger Time ou les Tentations de saint Antoine, or Not Wanting to Say Anything About Mauro Lanza, Gustave Flaubert and Peter Pepper by Andrea Valle

“…The article discusses Burger Time ou les Tentations de Saint Antoine, a 12-minute work of electronic music composed by Mauro Lanza. In particular, it proposes a three-layer interpretative methodology, focusing respectively on audible perception, on signal analysis and finally on a semiotic framework. …”
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WHERE TWO WORLDS MEET: LIGETI AND ROMANIAN FOLK MUSIC by Bianca Ţiplea TEMEŞ

“… It is hard to grasp how a composer acknowledged as a symbol of the 20th century musical avant-garde, re-formed in the laboratory of electronic music in Cologne at the end of the 1950s and always eager to take on fresh stylistical challenges, resorted to folk music as a source of inspiration. …”
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