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    The Politics of Voice in Duke Ellington’s Beggar’s Holiday (1946)

    The Politics of Voice in Duke Ellington’s Beggar’s Holiday (1946) by James O’Leary

    Published 2013-06-01
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    Modernism in Black and White: American Jazz in Interwar Europe

    Modernism in Black and White: American Jazz in Interwar Europe by John Lucas

    Published 1999-12-01
    “…(1934) makes much of the music of Duke Ellington. Lambert regards Ellington's compositions as reaching the same level of achievement as, among others, Ravel, Hindemith and Stravinsky. …”
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