Dracula Gramophone by Marc Porée

“…Its basic aim is to register the full (and so far little explored) impact of the sense of hearing, and of the auditory imagination, on and within Bram Stoker’s Dracula. Departing from the obvious approach via a general theory of the visible (and the invisible), it focuses on the various novelistic strategies bent on recording, typing, harking (cf. …”
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Bram Stoker, Dracula by Nathalie Saudo-Welby

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His Master’s Voice: Sound Devices in Bram Stoker’s Dracula by Maria Parrino

“…One year after the publication of Dracula (1897), the English photographer Francis Barraud was commissioned a painting from his picture of a dog looking at and listening to a cylinder phonograph. …”
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Vínculos de sangre: de Carmilla y Drácula a Alucarda by Carlos Gerardo Zermeño-Vargas

“…A partir del marco teórico elaborado por Sergio Wolf para analizar las resignificaciones por las que pasa una narración literaria cuando es adaptada al cine, se estudió la película Alucarda , del mexicano Juan López Moctezuma, cuya mitología está construida a partir de dos novelas góticas: Carmilla y Drácula . Se observó especialmente la manera en que los rasgos de la literatura fantástica y de terror fueron transformados al ser llevados a la pantalla grande. …”
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Gilles Menegaldo et Dominique Sipiere (eds.). Dracula : Stoker/Coppola by Annie Escuret

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Dracula : mécanique des fluides et roman des angoisses circulatoires by Maël Baussand

Subjects: “…Dracula…”
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Samia Ounoughi, ed., Telegraph for Garlic. Analysis and Literary Criticism – Dracula by Bram Stoker by Mélanie Joseph-Vilain

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Dracula, le monstre et les savants : entre Darwin et Bunyan by René Gallet

“…Lombroso’s view was that the two human types linked in Dracula (the “born criminal” and the “morally insane man”) are basically one. …”
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The Economics of Immortality: The Demi-Immortal Oriental, Enlightenment Vitalism, and Political Economy in Dracula by J. Jeffrey Franklin

“…Dracula has fulfilled the ambition of Dracula: it has colonized and enthralled the industrial and post-industrial Western world, achieved the integration into modern free-market capitalism that its namesake was unable to achieve. …”
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How the Slovaks Helped Count Dracula: Stereotypes of the Late 19th Century by Martin Kasarda

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Gilles Menegaldo et Anne-Marie Paquet-Deyris. Dracula ! La noirceur et la grâce by Annie Escuret

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Le corps du monstre sans-papiers by Jean-Jacques Lecercle

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« There are kisses for all » : Le defilé des jeunes hommes by Luc Bouvard

“…The initial title of Coppola’s film version of Bram Stoker’s novel, Dracula : the Untold Story, was probably closer to the finished product. …”
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« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh by Catherine Lanone

“…Published in 1897, The Beetle by Richard Marsh was a great fin-de-siècle success which once rivalled the now arch-famous Dracula. Although it has almost sunk into oblivion, The Beetle may have been deemed powerful in its time because it displays all the archetypal fears haunting the nineteen-nineties, from degeneracy to mesmerism, reverse colonialism or the New Woman. …”
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Victorian and Edwardian Virtual Reality: from Stoker to Forster by Catherine Lanone

“…Fantasies of global transmission haunted the Victorian era, as demonstrated by one of George Du Maurier’s cartoons. Dracula engages with transmission in a dual way, turning Mina’s mind into a radio-system which the Count may switch on and off, whereas Van Helsing may reverse the signal and spy on the vampire; technology embodying modernity, from the phonograph to the typewriter or telegraph, may vanquish the Count’s archaic powers of transmission. …”
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From Text, to Myth, to Meme: Penny Dreadful and Adaptation by Alison Lee, Frederick D. King

“…Challenging linear and genetic models of adaptation, Penny Dreadful transforms Mary Shelley’s Frankenstein (1818, 1831), Oscar Wilde’s The Picture of Dorian Gray (1890, 1891), and Bram Stoker’s Dracula (1897) into vehicles of cultural transmission: memes that have come to redefine the viewer’s relationship to Victorian literature and culture as a myth of modernity.…”
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