Dickinson’s Ear by Jefferey Simons

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After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma by Antoine Cazé

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Écrire « au nom de l’Abeille, du Papillon et de la Brise » : figures animalières et paysagères dans les écrits d’Emily Dickinson. by Estève Marie

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Emily Dickinson’s Line Breaks in Her Envelope Poems by Antoine Cazé

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A New American “Physical Morality”: Martha Graham and the Revaluation of the Body in Letter to the World by Adeline Chevrier-Bosseau

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Feline Alter Egos in Harriet Prescott Spofford’s “Circumstance” and the Poetry of Emily Dickinson by Adeline Chevrier-Bosseau

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« A Single Tone Coming Out Of A Vast, Empty Space » : John Adams, le contemporain au risque de l’anachronisme by Mathieu Duplay

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Conjurer l’écart, susciter les rencontres : Traduire la poésie by Claire Malroux

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Gathering and Scattering Emily Dickinson’s Poetry by Antoine Cazé

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The Influence of Shakespearean Theatricality on Emily Dickinson’s Lyrical Self by Adeline Chevrier-Bosseau

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Narrating Violation: Harriet Prescott Spofford’s “Circumstance” by Rita Bode

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