Nieludzkie, arcyludzkie. Wnętrze ciała w twórczości Davida Cronenberga by Klaudia Rachubińska

Subjects: “…David Cronenberg…”
Get full text

Corps (é)conduits : La construction d’un regard-machine dans Crash (1996) et Cosmopolis (2012) de David Cronenberg by Guilhem Billaudel

“…“It is necessary to identify two point of views [in Crash]: that of the characters […] and that of the audience”, Paul-Marie Battestini writes in his work on David Cronenberg’s film. It may nevertheless be fruitful to question the possibility of a third perspective, that of the cars on which Crash and Cosmopolis focus, inasmuch as they are essential and close to being actual characters. …”
Get full text

« Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys by Thomas Carrier-Lafleur, Baptiste Creps

“…Similarly, the authors will show how the use of the science- fictional imaginary, notably through the use of the film-matrix Scanners (David Cronenberg, 1981), composes a clear genealogical source while, at the same time, The Boys renews its relationship to cinephilic memory and to media and political criticism in a formal synthesis of New Hollywood.…”
Get full text