Dante Gabriel Rossetti and the Bilingual Imagination by Béatrice Laurent

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La strana arte di Dante Gabriel Rossetti traduttore di Dante by Paolo De Ventura

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Dante Gabriel Rossetti, gli albori dello spiritismo e il Dante-medium by Fabio Camilletti

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Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’ by Raphaël Rigal

“…As such, this poetic form helps recreate a life, through the fictitious reality of the poetic voice: by talking about itself and primarily to itself, the poetic persona of the dramatic monologue builds up an imaginary autobiography. Some of Dante Gabriel Rossetti’s poems which can qualify as dramatic monologues use this fictitious autobiography to give a voice to marginalized populations, for instance ‘The Bride’s Prelude’. …”
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Texte, trame, signe : les ficelles de l’art selon Dante Gabriel Rossetti by Laurence Roussillon-Constanty

“…In the gallery of Dante Gabriel Rossetti’s so-called “double works of art”, Proserpina has often been singled out as the artist’s masterpiece. …”
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Laurence Roussillon-Constanty Méduse au miroir : esthétique romantique de Dante Gabriel Rossetti by Catherine Delyfer

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John Holmes. Dante Gabriel Rossetti and the Late Victorian Sonnet Sequence : Sexuality, Belief and the Self. (« The Nineteenth Century Series ») by Annie Escuret

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Joyce, Rossetti, Dante. L’edizione “preraffaellita” della "Vita Nuova" nella biblioteca e nell’immaginario di James Joyce by Valentina Mele

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La Beatrice preraffaellita di Dante Gabriel e Christina Rossetti. Una lettura femminista by Stefania Arcara

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D. G. Rossetti’s Trip to Paris and Belgium: A Journey Between Past and Present by Raphaël Rigal

“…In 1849, Dante Gabriel Rossetti and William Holman Hunt undertook a trip to France and Belgium, with the specific goal of visiting art collections in Paris, Brussels, Bruges, Antwerp and Ghent. …”
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Dall’Alighieri al Rossetti: la passione e la penitenza, la donna preraffaellita tra Inferno e Purgatorio by Deirdre O'Grady

“…Il loro ruolo centrale nello sviluppo della carriera artistica di Dante Gabriel Rossetti e nella sua vita personale va considerato riguardo le sue due muse piu' importanti: Elizabeth Siddal Rossetti (1829-1862), la modella per Francescae Jane Burden Morris (1839-1914), la modella per La Pia. …”
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Lui, « pour toujours, a embrassé ma bouche, toute frémissante » : Paolo et Francesca dans la peinture préraphaélite et esthétique by Anne-Florence Gillard-Estrada

“…Le peintre préraphaélite Dante Gabriel Rossetti marque un tournant avec son traitement très sensuel du couple qui s'embrasse. …”
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