О морском „voyage de noce” („На «Титанике»” Михаила Зенкевича) by Elena Kulikowa

“…The sea voyage de noce of the protagonists is interrupted by the destruction of the Titanic and turns into a journey through the circles of Hell, while Helène becomes a double for Beatrice and, like Dante’s heroine, saves the protagonist’s soul.…”
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L’evoluzione delle parodie dantesche disneyane e delle riedizioni dell’Inferno di Topolino : uno specchio dei tempi by Roberta Manetti

“…In the present paper, the author retraces a few Dante parodies of Italian Disney and relates them to the modalities and intentions of the times in which they were first published. …”
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A Dynamic Stackelberg Game of Supply Chain for a Corporate Social Responsibility by Massimiliano Ferrara, Mehrnoosh Khademi, Mehdi Salimi, Somayeh Sharifi

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ECHOES OF PARADISE: ANALYSING 21ST CENTURY RENDERINGS OF SOUND IN PARADISO 30 by Amy Harris, Joshua Brown, Anna Gadd

“…The article compares the outcomes of 21st century English translations of Dante’s Divine Comedy, specifically in terms of sound, by analysing the interplay of macro and micro choices made by translators. …”
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Modernités de Bouvard et Pécuchet, Borges, Queneau by Jacques Neefs

“…The two authors inscribe the novel in the great universal literature, from Homer to Pindar, from Dante to Joyce. They did so at a time when Flaubert’s “modernity” was the reference for a profound renewal of critical theory. …”
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Poésie dans les bulles : la Divine Comédie de la terza rima aux fumetti by Sylvie Martin-Mercier

“…It also analyses the effects produced by transcoding operations. By inserting Dante’s tercets into a new work, these processes, far from being a simple tribute to the source text, transform its graphic materiality. …”
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Language policies as key aspect of migration policies: an evolving scenario in Europe by Lorenzo Rocca

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Reply by Jesse T.T. McLaren, MD, José Nunes de Alencar, MD, Emre K. Aslanger, MD, H. Pendell Meyers, MD, Stephen W. Smith, MD

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Raúl Ruiz en Italie : vers un art déterritorialisé by Boris Monneau

“…Indeed, Ruiz, who is very fluent in Dante’s tongue, has directed his own plays in Italy, published three books, conceived and projected two installations, and directed a few almost invisible films. …”
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Rimes de malandrins : du narcocorrido au narco rap by Enrique Flores

“…: artistic and criminal performance; reality as the kingdom of insane violence; Dante’s hell and Rimbaud’s “time of assassins”; jails, drug and misery; Pancho Villa’s mural; Caballeros águila and body painting; outlaw culture and “warriors of the drug” –from the Brazilian jails to the neighborhoods of Los Angeles; “Reynosa la maldosa”; Marcola, Tiger and Subway 3; “Big Word” and “Murderers Artists”; Gangsta rap; narcopoetry and hallucination; poetics of the crime; “Crime pays: rhyme pays”.…”
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Newman’s Poetry: The Heart of a Victorian Renaissance Project  by Dampi Somoko

“…This is particularly true of the poetic dream in The Dream of Gerontius, which borrows characteristics from both the anonymous Old English poem The Dream of the Rood and Dante’s Divine Comedy. This creative recourse to old literary and aesthetic sources as an inspiration is marked by porosity, hybridity, and subversion when the mutation of the character takes place in a gradual process from de-personification to kenosis. …”
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Stefan George: Von einer Begegnung (1890) by Klaus Wieland

“…Subsequently, it analyzes Stefan George’s famous poem Von einer Begegnung as an example of German turn-of-the-century poetry, taking into consideration the pre-texts of Dante, Petrarch and Baudelaire to which George´s poem refers intertextually. …”
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L'homme criminel de Cesare Lombroso : entre science et littérature by Lucia Rodler

“…L'article cherche à préciser la structure de L’homme criminel, la rhétorique de la description physiognomonique (fondée sur l'hypotypose et non pas sur l'hyperbole) et la bibliothèque des livres conseillés (Dante et Manzoni en premier lieu, relus avec succès même par la critique littéraire de la fin du XIXe siècle italien) et celle des livres interdits (parmi lesquels sont compris Ovide, Petrone, Apulée, la littérature picaresque, le roman français du XIXe siècle).…”
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Prophètes et prophétie chez Giuseppe Mazzini by Laura Fournier-Finocchiaro, Jean-Yves Frétigné

“…Laura Fournier-Finocchiaro examines first the role that Mazzini assigns to prophets in Italian and European history, past and present, from Dante, Gioacchino da Fiore and Machiavelli to Félicité de Lamennais and the Italian and Polish poets-prophets of the Risorgimento. …”
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Imaginaires et vocation commerciale de quelques marques littéraires médiévalistes by Filippo Fonio

“…Trois cas d’étude, « médiévaux » en un sens large, sont développés : Beowulf, Dante et Cervantes, qui sont emblématiques de trois modalités d’approches marchandes de la littérature médiévale qui ne sont que partiellement superposables, en ce qu’ils produisent des imaginaires déclinés de manière différente au sein même d’une mouvance médiévaliste présentant un certain nombre de caractéristiques d’unitarité.…”
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Obrazy války v italských městech v kázáních observanta a v cestovním deníku řeholníka z první poloviny 15. století by Jan Stejskal

“… At the beginning of the Renaissance, nobody asked questions about the natural state of mankind – that is, whether it is war or peace – as they had verifiably done on the threshold of the High Middle Ages. Dante defined war as an undesirable phenomenon devastating “poor Italy”. …”
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L'Uomo delinquente di Cesare Lombroso: tra scienza e letteratura by Lucia Rodler

“…L’articolo cerca di precisare la struttura dell’Uomo delinquente, la retorica della descrizione fisiognomica (fondata sull’ipotiposi e non sull’iperbole) e la biblioteca dei libri consigliati (in primis Dante e Manzoni, riletti con fortuna anche nella critica letteraria del tardo Ottocento italiano) e proibiti (tra cui Ovidio, Petronio, Apuleio, la letteratura picaresca, il romanzo francese dell’Ottocento).…”
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Francés Carrós Pardo de la Casta, un humanista para el Cancionero general by Estela Pérez Bosch

“…El poema, compuesto en castellano, puede ser leído como una versión lírica de la Regoneixença e moral consideració sobre los vicis e forces d´amor, una segunda obra de Carrós escrita en prosa catalana medieval que plantea una digresión sobe el amor humano desde la perspectiva de un moralismo laico que pone de relieve la deuda contraída con Dante y especialmente con Petrarca. En la misma línea que el Petrarca de los Trionfi y del Canzoniere, ambos textos inciden en los efectos más humanos del amor y proponen un uso muy particular de la alegoría, no solo con valor didáctico sino también poético y literario. …”
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Sanai's spiritual travelogue Seyr al-Ibad by Halilović Tehran

“…The reason for this interest is the similarity of Sanai's allegorical story with other world literary works such as Dante's Divine Comedy, Ma'arri's Risala al-Ghufran and the story of the heavenly journey of Prophet Muhammad, i.e. the story of mi'raj. …”
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La peur dans The City of Dreadful Night (1874) de James Thomson by Françoise Dupeyron-Lafay

“…One of the epigraphs is drawn from Dante’s Inferno, but in the poem, hell has nothing to do with the punishment the damned undergo in the world beyond. …”
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