Ethnomathematical exploration of the Remo dance as a source for mathematics learning by Eka Sulistyawati, Brenda Indah Nirmala, Dewi Hamidah

“…The research subjects were three Remo dance experts, consisting of a studio owner and two professional Remo dancers. Data were collected by interviewing the sources and observing and documenting dances. …”
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Traiettorie del filologicamente corretto. Il campo del folklore nell’operato di un maestro contemporaneo delle danze sarde by Alessandro Deiana

“…The ethnographic focus will be based on the particular trajectory of the philologically correct in the context of the practice of so called traditional Sardinian dances, with particular regard to the work of a Sardinian Campidanese dance master, who will be considered as a popular philologist moving in a multifaceted and polemic scene which includes folk troups, dance enthusiasts and dancers “in the field”.…”
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La bourrée et ses mythes by Françoise Étay

“…The proximity to the models collected has weakened over the years and some dancers even claim a break with them. Yet here again, behind distant artistic and intellectual postures, it is indeed conceptions of antiquity and modernity that we can sense.…”
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'Salsa', a Dataset for Beat Estimation in Salsa Music by Daniel Gómez-Marín, Rafael Ospina-Caicedo, Javier Díaz-Cely, Jesús Paz, Sergi Jordà, Perfecto Herrera

“…This paper introduces a dataset of salsa music, a genre deeply rooted in Latin American culture that is known for its intricate yet captivating rhythms, which pose challenges even for seasoned dancers. Our work involved creating a comprehensive track selection and meticulously annotating beat occurrences. …”
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Réinterpréter les musiques régionales du sud-ouest de la France dans les années 1970-1980 by Bénédicte Bonnemason

“…The paths explored by a collective in which several networks of actors, associative and institutional, intertwine together, create an "art world" populated by collectors, dancers, trainers, musicians, animators, makers of musical instruments, producers of discography... …”
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Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place by Sarah DAVIES CORDOVA

“…The struggles for dance spaces, for festivals, for recognition of the dancers have long undergirded contemporary dance in Africa in general and no less so in postapartheid and covid-controlled South Africa where governmental institutional structures refuse to prioritise the arts sector and particularly independent dance practitioners despite the unique role they hold in the public space with performances embodying activist politics of race, gender and place. …”
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Permettre la compréhension de l’action dans un jeu d’imitation. Le cas de l’action conjointe entre un artiste chorégraphique et des élèves-danseurs à l’école élémentaire... by Virginie Messina

“…Based on the Joint Action Theory in Didactics (JATD) and the game model in didactics, our analysis questions imitation as a game of imitation, that is built between the person who teaches the danced gesture (the artist) and those who learn it (pupils-dancers). The observation of this joint action leads us to grasp the conditions that allow students to gradually move from an imitation that retains only the surface features of the gesture shown, to an imitation that shows an understanding of the principles that generate its form.…”
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A Study of the Cultural and Musical Structure of Indian Classic Music for Critical Rereading of the Book “The Music of Northern India” by Navid Vaziri

“…Tala, which is related to the musical timing of Indian music, is like a chain whose rings are formed by the verbal syllables and the art of the melodic instrument players, percussions, and the dancers relate them to each other.…”
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Modeling dynamics on the dance floor with directional swarmalators by Petri Toiviainen, Petri Toiviainen, Joshua S. Bamford, Joshua S. Bamford, Joshua S. Bamford, Marc R. Thompson, Marc R. Thompson

“…It establishes a quantitative framework to dissect how individuals on dance floors self-organize and generate emergent patterns in response to both musical stimuli and visual perception of other dancers. The inclusion of gaze direction allows for the simulation of realistic scenarios on dance floors, mirroring the dynamic interplay of human movement in rhythm-driven environments. …”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…The term is also used for the workroom of dancers, often specified to dance studio (Eshelman Evans, 2002). …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…The term is also used for the workroom of dancers, often specified to dance studio (Eshelman Evans, 2002). …”
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Laguna de fracasos by Lagunaries

“…This group laboratory made up of dancers, performers, educators, researchers, filmmakers and archivists, takes the construction of collective knowledge and the potential of the virtual body as its nodal axis of research. …”
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Assessment of relative energy deficiency in sport and malnutrition prevalence in female endurance runners by energy availability questionnaire, bioelectrical impedance analysis and... by Samantha Sharp, Roni Mashiach-Fransis, Nicola Keay, Adrian Slee

“…REDs risk in female runners is closely related to ovulation status and may be quantified using the Dancers Energy Availability Questionnaire (DEAQ) framework, modified for use for female runners.…”
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