Réécrire l’histoire du/au cinéma : The Birth of a Nation de Nate Parker, et l’ombre de D.W. Griffith by Emmanuelle Delanoë-Brun

Get full text

REVISITING RACIAL POTRAYAL IN THE AMERICAN POPULAR FILM by Nerfita Primadewi

“…Even though film, especially cartoon, often perceived as merely entertainment, it is not free from racial biases. Ranging from D.W. Griffith’s Birth of a Nation to James Cameron’s True Lies to Ron Clement’s Aladdin to Scott Derrickson’s Doctor Strange, Hollywood cinema has been feeding not only American audiences but also non-American audiences bias stereotypical portrayal of people of color and their culture. …”
Get full text