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1041
Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush)
Published 2024-12-01“…Sillages Critiques…”
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1042
Mimesis de la douleur chez George Oppen et J. H. Prynne
Published 2012-01-01“…Sillages Critiques…”
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1043
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1044
From Book to Playlist: How Open-Access Audio Archives are Renewing the Poetry Collection
Published 2022-12-01“…Sillages Critiques…”
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1045
The Egoist ou le crépuscule des icônes
Published 2000-06-01“…Sillages Critiques…”
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1046
Whose Voice? Tim Crouch’s The Author and Active Listening on the Contemporary Stage
Published 2013-07-01“…Sillages Critiques…”
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1047
The “New” Beckett and the Word/Image Parallax: An Infra-Disciplinary Short-Circuit
Published 2019-12-01“…Sillages Critiques…”
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1048
Theatre and Psychoanalysis: or Jung on Martin Crimp's Stage: “100 Words”
Published 2009-12-01“…Sillages Critiques…”
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1049
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1050
Gathering and Scattering Emily Dickinson’s Poetry
Published 2022-12-01“…Sillages Critiques…”
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1051
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1052
“Making Sense” of Art through Design: Towards a Multisensory Theory of Reception Aesthetics
Published 2024-06-01“…Sillages Critiques…”
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1053
De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane
Published 2013-07-01“…Sillages Critiques…”
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1054
Crime Films and Lexical Change: Can an Analysis of an Electronic Corpus of Fifteen Crime Films Help Students Understand Semantic Mutations?
Published 2004-12-01“…Sillages Critiques…”
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1055
What Hitchcock Taught Us about Whodunnits
Published 2004-12-01“…Sillages Critiques…”
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1056
Monstrous to our human reason. The empty grave of the Winter’s tale
Published 2011-12-01“…Sillages Critiques…”
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1057
Revelation, Not Revolution: Queer Poetry’s Political Life, as Read through Robert Duncan’s Late Anarchism
Published 2020-12-01“…Sillages Critiques…”
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1058
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1059
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1060
“We will write it again”: subverted hermeneutics in Tom Stoppard’s Arcadia
Published 2011-12-01“…Sillages Critiques…”
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