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  1. 1021
    THE SEARCH FOR “PRIME WORDS”:EZRA POUND AS NOMINALIST

    THE SEARCH FOR “PRIME WORDS”:EZRA POUND AS NOMINALIST by Marjorie Perloff

    Published 2003-12-01
    “…Sillages Critiques…”
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  2. 1022
    Voir l’espace et dire le temps : le grand écart du discours esthétique victorien

    Voir l’espace et dire le temps : le grand écart du discours esthétique victorien by Laurent Bury

    Published 2011-12-01
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  3. 1023
    Claudia Rankine’s Citizen: A Network-Text

    Claudia Rankine’s Citizen: A Network-Text by Michael Hinds

    Published 2022-12-01
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  4. 1024
    Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream

    Obscene beasts: the stage behind the scenes in A Midsummer Night’s Dream by Mathilde La Cassagnère

    Published 2016-06-01
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  5. 1025
    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing

    Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing by Dan Rebellato

    Published 2017-03-01
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  6. 1026
    Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss

    Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

    Published 2013-06-01
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  7. 1027
    Was Ezra Pound a Radical Agrarian? “Fascism is an Integral Part of the History of Our Century”1

    Was Ezra Pound a Radical Agrarian? “Fascism is an Integral Part of the History of Our Century”1 by Philip Grover

    Published 2003-12-01
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  8. 1028
    Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest

    Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest by Bastien Goursaud

    Published 2022-11-01
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  9. 1029
     Du même à l’autre : la problématique du portrait chez Oscar Wilde

     Du même à l’autre : la problématique du portrait chez Oscar Wilde by Pascal Aquien

    Published 2001-01-01
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  10. 1030
    Écriture et trauma dans “The Giant Wistaria” : Quand Charlotte Perkins Gilman revisite le gothique

    Écriture et trauma dans “The Giant Wistaria” : Quand Charlotte Perkins Gilman revisite le gothique by Paule Lévy

    Published 2015-10-01
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  11. 1031
    Introduction

    Introduction by Stephen Collis, Xavier Kalck, James Maynard, Clément Oudart

    Published 2020-12-01
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  12. 1032
    Introduction

    Introduction by Bastien Goursaud, Elsa Lorphelin, Deborah Prudhon

    Published 2018-12-01
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  13. 1033
    Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ?

    Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

    Published 2009-12-01
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  14. 1034
    Robert Duncan’s Big Poetry: Re-visioning the Common

    Robert Duncan’s Big Poetry: Re-visioning the Common by Miriam Nichols

    Published 2020-12-01
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  15. 1035
    L’homme qui aimait les spectres

    L’homme qui aimait les spectres by Laurent Bury

    Published 2006-10-01
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  16. 1036
    Polariser l'écart : la mise en scène du décalage dans Fram de Tony Harrison

    Polariser l'écart : la mise en scène du décalage dans Fram de Tony Harrison by Catherine Lanone

    Published 2011-10-01
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  17. 1037
    Corps mécanique et pensée-mouvement : les marionnettes animales de la Handspring Puppet Company

    Corps mécanique et pensée-mouvement : les marionnettes animales de la Handspring Puppet Company by Noémie Lorentz

    Published 2016-07-01
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  18. 1038
    La scène traumatique de Sarah Kane

    La scène traumatique de Sarah Kane by Élisabeth Angel-Perez

    Published 2015-10-01
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  19. 1039
    “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov

    “A medley of voices”, polyphonie et discours rapportés dans Lolita de Nabokov by Yannicke Chupin

    Published 2010-12-01
    “…Sillages Critiques…”
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  20. 1040
    Framing Colonial Australia: A Socio-historical Articulation of the Display of Art

    Framing Colonial Australia: A Socio-historical Articulation of the Display of Art by Anita Gowers

    Published 2023-11-01
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