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  1. 821
    Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille

    Richard III palimpseste.  Richard III de Verhelst mis en scène par Lagarde : l'ellipse du champ de bataille by Florence March

    Published 2014-06-01
    “…Sillages Critiques…”
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  2. 822
    “A Made Up Thing” Full of Depth: The Queer Belonging of Robert Duncan and New Narrative

    “A Made Up Thing” Full of Depth: The Queer Belonging of Robert Duncan and New Narrative by Robin Tremblay-McGaw

    Published 2020-12-01
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  3. 823
    After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma

    After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma by Antoine Cazé

    Published 2015-10-01
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  4. 824
    Écart et séduction : Gérard de Nerval et Derek Mahon

    Écart et séduction : Gérard de Nerval et Derek Mahon by Maryvonne Boisseau

    Published 2011-10-01
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  5. 825
    « Hamlet et le texte freudien : phénoménologie de l’interprétation »

    « Hamlet et le texte freudien : phénoménologie de l’interprétation » by Patrick Di Mascio

    Published 2000-06-01
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  6. 826
    Introduction

    Introduction by Côme Martin, Françoise Sammarcelli

    Published 2020-05-01
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  7. 827
    À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular, Void Story et The Thrill of It All de la compagnie Forced Entertainment

    À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

    Published 2013-07-01
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  8. 828
    Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement

    Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement by Armelle Parey

    Published 2018-07-01
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  9. 829
    A Dangerous Difference: Pound, Douglas & Proudhon

    A Dangerous Difference: Pound, Douglas & Proudhon by Leon Surette

    Published 2003-12-01
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  10. 830
    Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism

    Rhetorical Mixture: Hermogenes and Hybridity in English Renaissance Literary Criticism by Javiera Lorenzini Raty

    Published 2023-06-01
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  11. 831
    ‘To sin in loving virtue’: desire and possession in Measure for Measure

    ‘To sin in loving virtue’: desire and possession in Measure for Measure by Ewan Fernie

    Published 2013-01-01
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  12. 832
    Retour à la page blanche après le choc du 11 Septembre

    Retour à la page blanche après le choc du 11 Septembre by Yves Davo

    Published 2020-05-01
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  13. 833
    Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller

    Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

    Published 2013-12-01
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  14. 834
    FROM ROSSETTI TO RADIO: POUND’S OPERA CAVALCANTI

    FROM ROSSETTI TO RADIO: POUND’S OPERA CAVALCANTI by Richard Sieburth

    Published 2003-12-01
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  15. 835
    Substitution for Substitution in Measure for Measure

    Substitution for Substitution in Measure for Measure by Anton Schütz, Chantal Schütz

    Published 2013-01-01
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  16. 836
    Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010)

    Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010) by Françoise Sammarcelli

    Published 2020-12-01
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  17. 837
    Ceci n’est pas le territoire: Transcending the Visual and Literary Frame

    Ceci n’est pas le territoire: Transcending the Visual and Literary Frame by Dane Coult

    Published 2023-11-01
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  18. 838
    Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground

    Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground by Lara Maleen Kipp

    Published 2017-03-01
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  19. 839
    Trauma Ties in Paul Auster’s Invention of Solitude

    Trauma Ties in Paul Auster’s Invention of Solitude by Houaria Righi

    Published 2015-10-01
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  20. 840
    MEMOIRS/WHOSE MEMOIRS?

    MEMOIRS/WHOSE MEMOIRS? by Helen M. Dennis

    Published 2003-12-01
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