On Being Between: Apocalypse, Adaptation, McCarthy by Stacey Peebles

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Affect and Gender in Cormac McCarthy’s Outer Dark by Julia Tulloh Harper

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Christ-Haunted: Theology on The Road by Christina Bieber Lake

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The Dialectics of Mobility: Capitalism and Apocalypse in Cormac McCarthy’s The Road by Simon Schleusener

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Cormac McCarthy´s The Stonemason and the Ethic of Craftsmanship by Federico Bellini

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“Some Unholy Alloy”: Neoliberalism, Digital Modernity, and the Mechanics of Globalized Capital in Cormac McCarthy’s The Counselor by David Deacon

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Cannibalism and Other Transgressions of the Human in The Road by Andrew Estes

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« A single gray flake, like the last host of christendom » : The Road ou l’apocalypse selon St McCarthy by Yves Davo

Subjects: “…Cormac McCArthy…”
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Cormac McCarthy’s Aesthet(h)ics of the “Canal-Rhizome” in Suttree by Marie-Agnès Gay

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Cormac McCarthy and the Genre Turn in Contemporary Literary Fiction by James Dorson

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Rugged Resonances: From Music in McCarthy to McCarthian Music by Julius Greve, Markus Wierschem

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“The man who wasn’t there”—and was “out there”: Chigurh as cinematic figure by Nicole Cloarec

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The Eternal Night of Consumer Consciousness: The Metaphorical Embodiment of Darkness in Cormac McCarthy’s The Road by Inbar Kaminsky

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« It starts when you begin to overlook good manners. Any time you quit hearin Sir and Mam the end is pretty much in sight » : la jérémiade dans No Country for Old Men by François Gavillon

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Old Nick Crossed the Mississippi: The Figure of the Devil in Late Cold War Era Novels of the American West by Michael Walonen

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