Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

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LA COMPRÉHENSION DE LA RELATION TEXTE – MUSIQUE DANS LADY MACBETH DU DISTRICT DE MTSENSK DE DMITRI CHOSTAKOVITCH by Valentina TOMA

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Martín Mostaza, de Fermín Solís. Los días más largos, El año que vimos nevar y Mi organismo en obras by Julio Gracia Lana

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“Me will homa to France and no be hanged in a strange country”: Comic French Villains in Late Elizabethan Drama by Charles Whitworth

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Sous le règne de la terreur. La répression franquiste dans la bande dessinée espagnole. Le cas de Pablo Uriel et de Miguel Núñez by Benoît Mitaine

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HUMOR ANALYSIS IN ASTERIX AT THE OLYMPIC GAMES COMIC by Miftahush Shalihah

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Ridiculus sum : le ridicule dans Madame Bovary by Juliette Azoulai

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Hollywood adaptations of comic books in a post-9/11 context: the economic and cultural factors by Nathalie Dupont

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Entre memoria y política: las historietas de Felipe Hernández Cava sobre la España del siglo xx (1973-1996) by Eduardo Hernández Cano

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The Use of Comics to Promote a Community-based Peer-support Intervention among Young Refugees in a Camp in Greece by Chrysovalantis Papathanasiou, Aikaterini Kougioumtzi, Kanella Georgiou, Filippos Barbaresos

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Introduction by Côme Martin, Françoise Sammarcelli

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L’agonie de Raimundo, fils d’Unamuno, et le sentiment comique de la vie by Yves Roullière

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De l’image avant toute chose : mémoires et mythes pour les Espagnes en exil de 1939 by José María Naharro-Calderón

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Tat[o]ueur : pouvoirs du tatouage dans Little Tulip, de Jerome Charyn et François Boucq by Sophie Vallas

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The Politics of Circularity in Todd Phillips’s Joker (2019) by Guillaume Mouleux

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Storythat Comic Based on the Ngideri Dhisah Tradition to Enhance Students’ Visual Perceptual Skills by Jefri Rieski Triyanto, Mohamad Na’im

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Exploring the efficacy of writing comics as a tool for enhancing EFL writing skills of undergraduate Ecuadorian polytechnic students by Felix Estrella

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Empoderamiento femenino en el cómic portugués: un manifiesto por la igualdad de género by Ana-Luísa Oliveira, Ângela Balça, Paulo Costa

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Newspaper cartoons as a reflection of political change during the first democratic elections in South Africa by Cornelius van Heerden

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