The Mutant Problem: X-Men, Confirmation Bias, and the Methodology of Comics and Identity by Martin Lund

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Liam Burke, The Comic Book Film Adaptation : Exploring Modern Hollywood’s Leading Genre // Drew Morton, Panel to the Screen : Style, American Film, and Comic Books During the Blockbuster Era by Nicolas Labarre

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Mathematics e-comic in cultural context to improve student motivation and learning outcomes by Dani Farhan, M Ikhsan, Elizar Elizar

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Benoît Crucifix, Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel by Élizabeth Moulin

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Catriona MacLeod, Invisible Presence. The Representation of Women in French-Language Comics by Sylvain Lesage

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Brienza, Casey. Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics by Katherine Marazi

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Up from the Depths: The Cultural Appropriation of Godzilla in 1970s American Animation and Comics by C. Scott Maravilla

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“Making Noise” with Comics: An Interview with Argentine Author, Artist, Singer, and Song Writer, Isol by Jennifer Nagtegaal

Subjects: “…comics…”
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Storythat Comic Based on the Ngideri Dhisah Tradition to Enhance Students’ Visual Perceptual Skills by Jefri Rieski Triyanto, Mohamad Na’im

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Effects of an Educational Comic Book on Knowledge Related to the Safe Use of Fluoride Toothpaste in Children by Henrique Cesar de Souza Perez, Luciane Zanin de Souza, Flávia Martão Flório

“… Objective: To evaluate the effect of an educational comic book on indirectly supervised tooth brushing practices in early childhood education. …”
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Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics by Lukas Etter

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Les merveilles du scepticisme : René Descartes et les superhéros de comics by Chris Gavaler, Nathaniel Goldberg

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Hollywood adaptations of comic books in a post-9/11 context: the economic and cultural factors by Nathalie Dupont

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 ‘Twisting herself into all shapes’: blackface minstrelsy and comic performance in Harriet Wilson’s Our Nig by Elizabeth Boyle

“…Taken as a whole, Wilson’s comic strategy, with its ‘embodied insurgency’, aligns her with the period’s most politically racial African American performers.…”
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Circulações artísticas no Cone Sul: notas preliminares sobre João Mottini e o mercado argentino de quadrinhos durante a Guerra Fria (décadas de 1940 a 1960) by Ivan Lima Gomes, Leonardo Pires Nascimento

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L’adaptation en bande dessinée de El matadero d’Esteban Echeverría : Enrique Breccia se souvient… by Emilie Delafosse

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Race in Recent Comics Studies: Eleanor Ty, editor. Beyond the Icon: Asian American Graphic Narratives. by Elżbieta Klimek-Dominiak

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Empoderamiento femenino en el cómic portugués: un manifiesto por la igualdad de género by Ana-Luísa Oliveira, Ângela Balça, Paulo Costa

Subjects: “…Cómic…”
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“Me will homa to France and no be hanged in a strange country”: Comic French Villains in Late Elizabethan Drama by Charles Whitworth

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Ainu Representation in the World of Japanese Comics: Shumari and Golden Kamuy Take on the Ruling Narratives of Hokkaidō History by Zsófia Keller

“…To avoid misinterpretation in the analysis of Japanese comics, it is essential to approach them with what Tessa Morris-Suzuki terms historical truthfulness, recognising them as gateways to a complex web of inherited ideas rather than direct representations of the historical periods that they depict. …”
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