The Beholder’s Hurt Feeling by Claudia Keller

“…This contribution discusses the implications of Weimar Classicism and its modern consciousness of the hermeneutical difference between antiquity and present on the perception and the methods of restoration. …”
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Flaubert et ses classiques : leçon de maintien by Chantal Wionet

“…Indeed, it is in terms of morality that the classics’ style is considered here. A model of discipline, rather than a mere formal model, Flaubert’s classicism is neither reproduction nor repetition.…”
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Vilnius and the Problem of Rococo, 1803–1830 by Tomasz Jędrzejewski

“…This article focuses not on Classicism or Romanticism, but on the local Rococo culture that flourished between 1803 and 1830. …”
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Charles Dickens et le « nouveau pittoresque » by Nathalie Vanfasse

“…Through its taste for wild and irregular nature, the picturesque broke with classicism. However it did not include the exaltation of romanticism. …”
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Blütenmeere jenseits naturalisierender Literaturgeschichte by Jonas Hock

“…In his book Epochen der italienischen Lyrik (Epochs of Italian Poetry, 1964), Hugo Friedrich presents Mannerism as a clear decline from the previously effective classical principles, thus largely following a paradigm of decline that his Structure of Modern Poetry (1956) seems to oppose. …”
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A Living Architecture for the Digital Era by Carlo Ratti

“…In doing so, he paved the way for Renaissance classicism: architecture focused on precision and representation through drafting rather than approximate construction by artisans. …”
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The Architectural Photomontages of Piero Bottoni by Fabio Colonnese

“…Parallel to colleagues such as Giuseppe Terragni, Figini and Pollini or Ludovico Quaroni, Bottoni explored these techniques in the political context of the fascist regime, which initially promoted any kind of original artistic research; and then gradually converged towards a reactionary, conformist and populist classicism which would isolate creative voices.…”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…Thus, elements derived from classicism, romanticism, impressionism or even modernism are utilized in combination with Byzantine and Greek folk music timbre in the entire oeuvre of these composers. …”
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Arabs and Ideology in the Region of Comparative Literature Subject Study: Critique and Analysis of Ahmad Abdol Aziz’s Book by Hadi Nazari Monazam

“…But, the result shows that his attempt is an approach between France classicism and American unbridle and free ideology.He refers to France theory in the comparative part, and it is not an exaggeration if he said we cannot find anyspecific book’s idea in the world of comparative literature as well as Arab comparative literature.…”
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Derzhavin's dramaturgy as an artistic system by A.I. Razzhivin

“…The research has been performed with the aim of revealing the aesthetics and poetics of the drama in the post-classical period based on G.R. Derzhavin's plays and theoretical works. …”
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The values of Hellenic culture as the foundation of Nietzsche's philosophy by Stanković-Pejnović Vesna, Veseli Damir

“…'Heterogeneous' prePlatonic philosopher is essential to the homogeneity of Greek culture. Nietzsche's classicism amounts is criticism of his own times, but in the time is the base of his whole philosophical opuses. …”
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