A CNN-Based Approach for Classical Music Recognition and Style Emotion Classification by Yawen Shi

“…By extracting multidimensional features from classical music, the model can recognize the title, style, and emotions expressed. …”
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Accords et désaccords. Pratiques et représentations de la guitare à Madrid et en Andalousie de 1883 à 1922 by Vinciane Trancart

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KLASİK MÜZİK DİNLEMENİN RESİM-İŞ ÖĞRETMENLİĞİ 1. SINIF ÖĞRENCİLERİNİN TASARIM BECERİLERİNE ETKİSİ - EFFECTS OF LISTENING TO CLASSICAL MUSIC ON THE DESIGN SKILLS OF FIRST YEAR STUDENTS OF ART TEACHING DEPARTMENT by Armağan Konak, Elvan Gün Duru, Elmas Gün

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The effectiveness of live music in reducing anxiety and depression among patients undergoing haemodialysis. A randomised controlled pilot study. by Miriam Serrano Soliva, Conrado Carrascosa López, Inmaculada Rico Salvador, Rafael Ortiz Ramón, Javier Villalón Coca, Rafael García Maset, Alicia García Testal

“…This study aims to investigate the effects of listening to live classical music on anxiety and depression scales during haemodialysis sessions.…”
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SUGGESTOPEDIA AS THE METHOD OF THE MUSIC EXPERIENCE FORMATION OF PRE-SCHOOL CHILDREN by Natalya T. Таgiltseva, Filip D. Shavov

“…It has been proved that involuntary memorizing of classical music by children listening to background sounding during the artcreative activities such as free movement and drawing has the greatest degree of efficiency. …”
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On Topics Today by Nicholas McKay

“…The first is constructed around three influential texts: Leonard Ratner’s seminal book that established the discipline in its own right, Classic music: expression, form and style (1980); Wye Allanbrook’s Rhythmic gesture in Mozart: Le nozze di Figaro and Don Giovanni (1983); and Kofi Agawu’s Playing with signs: a semiotic interpretation of classical music (1991). …”
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Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980 by Carla Delgado de Souza

“…The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two impor- tant Brazilian composers: Gilberto Mendes and Willy Corrêa de Oliveira. …”
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A study of two Chinese-style Clarinet Works Colors from China and Hommage to China from the Perspective of Cultural Holism by Congjie Zhao

“…It was proposed mainly based on the background of increasingly frequent cultural exchanges in the world today, and contemporary Western classical music works illustrate this trend by increasingly incorporating non-Western music elements. …”
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Quantitative Influence Analysis of the Development Scale of Market Economy on the Level of Music Innovation by Yang Li, Qiuyi Zhang, Tianzhuo Gong

“…This research mainly uses a convolutional neural network and long and short-term memory neural network technology to quantitatively analyze the relationship between the development scale of the market economy and the form of music innovation, which is mainly a quantitative analysis of classical music, pop music, and rap music. The research results show that convolutional neural networks and long short-term memory neural networks have sufficient capabilities to quantitatively analyze the relationship between the market development scale and the form of music innovation. …”
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Explizite und implizite Regeln der modalen Solo-Improvisation in iranischer Musik. Eine vergleichende Analyse by Davoud Tavousi

“…This article explores creative processes in free modal improvisation by soloists in Iranian classical music through an analytical-comparative approach. …”
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The role of music performance anxiety in musical training: four personal histories by Oscar Casanova, María Elena Riaño, Francisco Javier Zarza-Alzugaray, Santos Orejudo

“…With an average age of 25, they had all studied classical music for at least 10 years. We subjected the protocols of those interviews to a phase and categorization process based on Interpretative Phenomenological Analysis. …”
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Schnittstellen zwischen performance und Analyse von Popmusik. Performative Produktionsprozesse in Pink Floyds Album Wish You Were Here und Jordan Rudessʼ Coverversion von Genesisʼ... by Hubertus Dreyer, Pascal Horn

“…On the other hand, cover versions of pop music may be analyzed in the same way that different interpretations of classical music are compared. These two approaches are applied to Pink Floyd’s album Wish You Were Here (1975) and to Jordan Rudess’ cover version (2007) of Genesis’ Dance on a Volcano (1975/76). …”
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