PROPERTY RELATIONS IN CINEMATOGRAPHY: EVALUATION, EVOLUTION, MANAGEMENT by M. I. Pankratova

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IMPROVEMENT OF THE MECHANISM OF THE STATE SUPPORT OF DOMESTIC CINEMATOGRAPHY (ON THE EXAMPLE OF FRANCE) by M. Pankratova

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Femmes et pornographes ? by Stéphanie Kunert

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The Uncannily Intimate in Guy Maddin’s Cowards Bend the Knee: An Aesthetics of the Suddenly Obscene by Anne COMBARNOUS

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SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

Subjects: “…cinematography…”
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Authorial Narratives in the Work of Middle Eastern Directors by Галина Погребняк

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Comparative analysis of family values in Iranian and Russian cinema by M. I. Kosinova, T. Solgi

Subjects: “…cinematography…”
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Possibilities assessment of the film cluster in the Kaliningrad Oblast functioning by A. A. Gorshkova, M. I. Kosinova

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CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

“… Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view. …”
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TARGET SUBSIDIES AS A FILM SCREENING DEVELOPMENT TOOL IN RUSSIAN REGIONS by L. A. Lanina, A. V. Malyshev

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Main marketing trends in the Russian cinema market in the current realities by O. V. Zhuravleva, A. S. Lobacheva

“…The main societal trends, which influence the creation of cinematographic images in contemporary cinematography, were identified, and the factors of modern society development and their correlation with the world of cinematography, including the degree of their influence, were pointed out. …”
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Problems of obtaining state support for a film creation project by Yu. V. Vorontsova

“…The Russian cinematography industry is characterized by a significant degree of dependence on state financial support. …”
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ENTERTAINMENT VIOLENCE IN THE LEISURE OF STUDENT YOUTHS by M. I. Zhabskiy, К. A. Tarasov

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THE FALL OF CINEMA ATTENDANCE IN THE ERA OF "STAGNATION". CAUSES AND CONSEQUENCES by M. Kosinova

“…The author examines the causes of this negative tendency and the measures that took the leaders of the Soviet cinematography and the filmmakers to eliminate this problem. …”
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The Philosophical Aspect of the Spatial-Temporal Rhythms of the Social Space of the City in the Documentary: Using the Example of Dziga Vertov’s Screen Chronotope by Julia A. Kirsanova, Irina K. Cherkasova

“…The philosophical potential of documentary cinema as a genre provides it with a special place in cinematography. Therefore, the rhythmanalysis of urban space in cinematic reality is of particular research interest - the screen chronotope of urban everyday life in documentary works. …”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). …”
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Transitions in Interface Objects: Searching Databases by Tim Gamble, Jon May

“…We discuss the benefit of basing design principles on theoretical models derived from film cutting methods used in cinematography, so that they can be extended to novel design situations.…”
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ANALYSIS OF METHODS TO INCREASE BRAND LOYALTY AMONG RUSSIAN TELEVISION CHANNELS by M. Nemirovskaya, V. Yakusheva

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O ícone e o palhaço ou Quando Mazzaropi encena Lampião by Cristina Duarte-Simoes

“…The representation of the famous bandit was constantly present within Brazilian cinematography, since the creation of O Cangaceiro (Lima Barreto, 1953, production Vera Cruz), which gave birth to the gender known as “film of the Nordeste’s banditry”. …”
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