Le cinématographe n°16 de la cinémathèque by Christine Gaudet

“…Le cinématographe numéro 16 est un objet novateur datant de 1895 et qui a traversé l’océan Atlantique avec les frères Lumière. …”
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A cinematographic analysis of English-dubbed Korean films by Miseon Yoon

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Technology and the Cinematographic Writing of Trauma in Kipling’s Motoring Short Stories by Élodie Raimbault

“…Thematically, stylistically and structurally, the association of motoring and the cinematograph led Kipling to combine two technologies that offer a fascinating mobile spectacle. …”
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Intuiciones visuales para pueblos olvidados. La utilización del cine en las Misiones Pedagógicas de la Segunda República Española by María García Alonso

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Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

Subjects: “…cinematographic criticism…”
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Spanish cities as filming locations: analysis and spatial distribution by Agustín Gámir Orueta, Patricia Montecino Huedo, Sergio Reyes Corredera

“… The main objective of this article is to show the spatial distribution of Spanish cities according to the degree of their cinematographic projection. For this purpose, a sample consisting of 178 feature films was selected. …”
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Les images animées au Musée de l'Homme ou la rencontre de deux mondes (1930-1950) by Alice Gallois

“…From the origin of cinematograph, many where those who went out of Europe to film otherness. …”
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The Making-of Documentary: An Approximation to some Discourse Intentions and Contemporary Uses by Armando Andrade Zamarripa

“…The article is divided into three sections: Towards a Definition of the Making-of Documentary, Meta-cinematographic Formats and Functions and Specificities of the Making-of Documentary. …”
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Main marketing trends in the Russian cinema market in the current realities by O. V. Zhuravleva, A. S. Lobacheva

“…The main societal trends, which influence the creation of cinematographic images in contemporary cinematography, were identified, and the factors of modern society development and their correlation with the world of cinematography, including the degree of their influence, were pointed out. …”
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poum et cinéma: entre art et Révolution (1936-1937) by Cindy Coignard

“…Here we have a preliminary study to understand the poum’s point of view about cinematographic art. In a context of civil war, we have to wonder about the choices which are made in the diffusion of films: which criteria come into play and how they made the selection in relation to the dissident Marxist ideology.…”
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"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite by Vinícius Gonçalves Carneiro

“…To understand the power games behind the movie and its reception, it is important to contextualize Elite squad in the contemporary Hollywood production, in a hypothetical Brazilian Realism tradition and in the cinematographic and literary representation of the subaltern. …”
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Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

“…From local cinema to actors’ pictures pinned on the walls, the cinematographic world is part of places and communities: as the café or the street, the movie theatre is associated with periodical activities; the different representations of the players invade as much the urban area as the private life. …”
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Tom, volume e arranjo no chiaroscuro da memória: Sinfonia em branco, de Adriana Lisboa by Regina R. Félix

“…This article shows the parallel between the psychological process of the characters Tomás, Maria Inês and Clarice and the musical, plastic, cinematographic, and literary forms through which they express their gradual awareness in dealing with their traumas. …”
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Quand l’exploitation mémorielle officielle des archives conduit à redécouvrir les fonds : le cas de l’enregistrement filmé du général de Gaulle du 2 juillet 1940 by Violaine Challéat-Fonck

“…In charge of preservation, commercial and cultural diffusion of the cinematographic and photographic heritage of the Ministry of Defence, ECPAD contribute towards the national ceremonies of commemoration. …”
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Un cinéma palestinien « en mal d’archive » by Laure Fourest

“…This generates a multiplicity of cinematographic strategies aiming to challenge this discomfort zone, where the manipulation of the emotional and sensorial qualities of archives can be a means of proving something.…”
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« Explorer le champ des voix » by Floriane Chouraqui, Maylis Aste

“…At the crossroads between cinematographic studies (MA) and geography (FC), this article sets out to explore the sounds of the Cha das Caldeiras territory, in Cape Verde. …”
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Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique by Pierre Jailloux

“…The recycling of exploitation cinema conventions is more than just playful: it overlaps with the recycling of human bodies reduced to merchandise, ambiguously catering to, and criticizing, the voyeuristic pleasure that devolves from the cinematographic exploitation of bodies.…”
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Sangue de Lua: reflexôes sobre espíritos e eclipses by Carlos Fausto

“…Taking this ethnographic and cinematographic experience as his starting point, the author reflects on the meaning of the eclipse for the Kuikuro, focusing on the explicit cosmological knowledge conveyed by them, on the nature of their adherence to a belief system, and on some mytho-ritual themes that, lacking a native exegesis, can only be understood through a comparative perspective.…”
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ARE ALL WOMEN FEMINISTS? A CRITICAL VIEW ON LADY BIRD (2017) FILM by Gesang Manggala Nugraha Putra, Trisnavia Elma Kharisa

“…To do so, the study employs Feminist Identity Development Model by Downing and Roush to look at the main lead of the film, along with analyses on the film’s narrative and cinematographic aspects. The study finds that the female lead fails to undergo all the five stages of Feminist Identity Development Model. …”
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La matière féerique dans Salammbô by Gesine Hindemith

“…Flaubert’s almost cinematographic technique, which literary research has lately identified, owes much to fantasy, a genre that was considerably in fashion at the time. …”
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