Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

Subjects: “…cinema…”
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THE FALL OF CINEMA ATTENDANCE IN THE ERA OF "STAGNATION". CAUSES AND CONSEQUENCES by M. Kosinova

Subjects: “…soviet cinema…”
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Blurring boundaries: early Sinhala cinema as another Adam’s Bridge between Ceylon and India (1948-1968) by Vilasnee TAMPOE-HAUTIN

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Rolprent, Televisie en die Omgewing by Pieter Jacobus Fourie

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New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

Subjects: “…Digital Music and Cinema…”
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Nous venons en paix : l’immigration dans les films de science-fiction après la Guerre Froide by Samantha Kountz

Subjects: “…cinema…”
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« Appelsinpiken » et le tourisme expérientiel en Andalousie : Géographie de l’émotion by Maria del Carmen Puche Ruiz

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Pengembangan Panduan Bimbingan Klasikal Teknik Sinema Edukasi untuk Meningkatkan Resiliensi Siswa SMKN 2 Malang by Yuniar Fitri Ahfadzi, Khairul Bariyyah, Laily Tiarani Soejanto

Subjects: “…educational cinema technique, resilience, students…”
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A "Bloody" (Irritating) Four Star Masterpiece and the "Construction of an Empire" The Proposition and Other Australian Stories by Chantal Kwast-Greff

Subjects: “…cinema…”
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King Solomon’s Mines on film: modernity in reverse? by Stephen COAN

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Ozu, le siècle et le geste by Román Domínguez Jiménez

Subjects: “…cinéma…”
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Filmer la figure humaine « au milieu » des choses : le cinéma selon Béla Tarr  by Sylvie Rollet

Subjects: “…cinéma…”
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Marian Marzyński. Autobiografia dokumentalisty by Mikołaj Jazdon

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La Malinche: de la subrepresentación a la reivindicación. Malinche ayer, Marina hoy by María Rocío  Ruiz  Pleguezuelos

Subjects: “…cinema…”
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Cinema do Piauí em dois tempos: uma análise dos filmes Guru das Sete Cidades (1972) e Ai que vida (2008) by Roberto Cesar Silva de Azevedo

Subjects: “…cinema…”
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L’arte e l’uomo eterno (traduzione di Luca Bernardini) by Zygmunt Wasilewski

Subjects: “…Cinema…”
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From the Invisible to the Visible: Mapping Homosexual Proto–Festival from Seventies to Eighties by Adriana Morante

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Representación del indígena en el cine venezolano: Contrastando estereotipos: entre ficciones y realidades by Emperatriz  Arreaza  Camero

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Le Transperceneige et Snowpiercer : figuration, sas et espaces de transit(ion) by Tessa Sermet

Subjects: “…cinema…”
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L’Irlande et le documentaire à travers le parcours controversé de L’Homme d’Aran by Isabelle Le Corff

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