Conflicting Images of Women in Hollywood 1930s Cinema by Raphaëlle Costa de Beauregard

Subjects: “…cinema…”
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L’édification du gratte-ciel, motif du cinéma d’avant-garde américain by Barbara Turquier

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From the Banned Telefilm to the Feature Film: the Two Versions of Alan Clarke’s Scum (1977-1979) by Nicole Cloarec

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Esthétique du kitsch et ruralité dans le cinéma irlandais by Isabelle Le Corff

Subjects: “…Irish cinema…”
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"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite by Vinícius Gonçalves Carneiro

Subjects: “…cinema…”
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“Dante… Bruno. Vico.. Joyce:” Samuel Beckett’s “identified contraries” by Julie BÉNARD

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Utopies et dystopies de la transparence. Eisenstein, Glass House, et le cinématisme de l’architecture de verre by Antonio Somaini

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Peter Watkins et les apories de la lutte médiatique by Jeremy Hamers

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Yeşim Ustaoğlu Sinemasında Aile: Araf ve Tereddüt Filmlerinin Analizi by Semih Salman

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Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998) by Marianne Bloch-Robin

Subjects: “…cinema…”
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Representation of Traumatic Memory in the Film Drishyam: A Barthesian Reading by Srilekha B. P., V. Bharathi Harishankar

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Hollywood adaptations of comic books in a post-9/11 context: the economic and cultural factors by Nathalie Dupont

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Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art by Ганна Чміль, Максим Вітошкін

Subjects: “…cinema…”
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Le film de mobilisation centrasiatique by Valérie Pozner

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“Somewhere in California”: New Regional Spaces of Mobility in Contemporary Vancouver Cinema by Katherine A. Roberts

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A Train to Hollywood: Porno-Chic in the Polish Cinema of the Late 1980s by Karol Jachymek

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Gone With the Covid – Scarlet in Quarantine: An Interview with Sarah Combs by Sarah Combs, Emmeline Gros

Subjects: “…Hollywood cinema…”
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Aller au cinéma pour apprendre à être « moderne » ? by Anne Kerlan

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TARGET SUBSIDIES AS A FILM SCREENING DEVELOPMENT TOOL IN RUSSIAN REGIONS by L. A. Lanina, A. V. Malyshev

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L’Irrésistible Ascension d’Arturo Ui, une pièce « d’histoire immédiate » ? by Emmanuelle Hénin

Subjects: “…cinema…”
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